Author: Wasim Muklashy

  • It’s Finally Here! The Ello App Just Might Be The Answer To The Facebook Crap! Simple. Elegant. Minimal. Enlightened.

    It’s Finally Here! The Ello App Just Might Be The Answer To The Facebook Crap! Simple. Elegant. Minimal. Enlightened.

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    If you remember several months back, Ello came onto our radars with a vengeance. It seemed like within a 2 week period, it went from no one every hearing of it, to everyone clamoring to try to secure a coveted invite code.

    The ad-free, anti-Facebook, social network.

    Then, seemingly, it died off – not surprising in our Idiocracy-esque culture of impatience for the latest insightful Kanye meme or cop-clobber-video. Through that whole thing, I was still curious and became a regular user of Ello despite so many thinking that it was just another passing fad.

    Well, it turned out to be much more than I ever expected it to be. Yes, many people disappeared, but what disappeared with them was the meaningless snack-size bites of empty-calorie consumption. All that stuff already had a home. Facebook. What was left in Ello was a community of artists using the platform in ever-inventive ways to be as creative and expressive as possible. It started to cultivate a niche of artists and creatives and intellectuals actually sharing stuff that had more than a hint of cerebral quality to it. While Facebook remained where the jocks and ‘cool kids’ hung out, Ello was becoming the online home for the artists and the nerds. I like artists and nerds. So I stayed.

    About a month ago, all of a sudden, I started getting more and more chatter on my Ello page, more likes, more adds, more comments, more engagement, and I was wondering what was going on. Then, about a week after that, I was being engaged by some of the developers of Ello and some of the community groups, which I didn’t even know existed at this point. And the closer I looked, the more I started to realize that they had subtly and quietly added a SLEW of new features and functionality, remaining true to form to their overall vibe of elegant  minimalism.

    Now we could directly reply to comments, we can like posts, it was easier to discover new people and subjects, and there was even a way to keep track of your ‘likes.’ The search function was overhauled, and, ‘HALLELUIAH!, there was a separate intuitive tab for notifications, making it ever easier to reply to comments and posts, as well as streamline who and what was adding you and/or engaging with you on your posts. Not to mention, their FAQ page is literally called WTF. I mean, c’mon…

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    As if this wasn’t enough, just as I was getting more and more excited about posting more on Ello (my god did I mention how beautiful photos look!???), I got an email asking if I wanted to test out the one thing that was glaringly missing from the Ello experience – a dedicated mobile app.

    YES!

    Within 24 hours, the beta version of the app was on my phone, and now that I’ve had almost two weeks to play with it, I’ve got to say, it’s nice. 

    Very VERY nice.

    The Ello app retains the clean intuitive and minimal interface of the desktop version of Ello, yet, the functionality runs surprisingly deep. Not an easy feat to overcome, but it’s very evident that they’ve put in maximum effort to make it happen. And it’s worked very well. So well in fact, that about a week in, I actually started finding myself opening it more than the Facebook app, checking in on my Ello stream, liking and sharing posts, and, eventually, taking its place on my phone’s home screen. The caliber of content was just blowing me away.

    The thing is this…rather than people cliquing and grouping themselves together based on how similar they are and what similar pages they’ve liked and all that fuckery, Ello is much more focused on just giving its users the space to be as unique and expressive as they choose, without having to be voluntary guinea pigs for marketers the world over. And because of that, I’ve managed to discover a ridiculously thoughtful and insanely creative populace on this thing, one that I’m sure I would have never been exposed to before. Hitting the ‘Discover’ tab and seeing the variety of artistic madness is not only beautiful, but inspiring. 

    Poets. Artists. Photographers. Writers. Musicians. Designers. Architects. Scientists. 

    It’s nuts. 

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    The simple Friends/Noise categorization of who you add to your network is brilliant in its simplicity. No more sponsored posts, no more ads. At all. No more man-nipple-mirror selfies if you don’t want ‘em. No more posts of ‘friends’ complaining about what a crappy day they had. You can still be friends with them, but throw them into the ‘Noise’ category and rather than be forced to see it scroll past your stream, you can check in on all that self-serving non-contributing narcissism on your own schedule. And its the small simple things that make the experience so enjoyable – for example, if you’re checking your ‘Friends’ stream, it’s one column, edge to edge, so you can see that trusted material in large and glorious fashion, but if you choose to scroll through your ‘Noise’ stream, it’s broken into two columns, so you can scroll through it much more quickly and efficiently to find the stuff you want to stop at. Completely non-intrusive and buzz-kill proof.

    In an age where people are quick to write off anything that doesn’t catch fire within seconds of its launch, Ello might just prove the vitality and value of patience. That whole slow and steady wins the race thing? They’re taking advantage of that quite methodically. They’ve managed to make a splash several months back, got themselves a loyal user base, have responded to the suggestions and comments from that base, have tweaked and updated the desktop experience to reflect that, and now, finally, the mobile app, which, so far, has proven to be a slam dunk as far as I’m concerned. 

    Yup, I’m going to be spending much more time on Ello. If you want to do the thing, you can download the thing by clicking here and then ‘friend’ or ‘noise’ me at www.ello.co/wasimofnazareth

    And I also started an outside community for anything that has to do with the outdoors – pictures, tips, trips, tricks, adventures – if it’s outside, it belongs at www.ello.co/ellooutside

    And while you’re in a giving mood…find me at:
    instagram: @wasimofnazareth 
    google+: +WasimMuklashy

    And if you enjoy these posts, please feel free to subscribe to my mailing list at top right of this page, and I’ll deliver each post to you as I publish them.

    If you support the kind of work I’m doing and the things I’m sharing, please consider ‘subscribing to me’ on Patreon.com. Yup, subscribing to ‘me.’ You can even set the price. Literally, $1 per month if you want. No joke, your little helps me a LOT.

     

  • The Not So Subtle Surprises Of Los Angeles’ Best Kept Secret – The Santa Monica Mountains

    The Not So Subtle Surprises Of Los Angeles’ Best Kept Secret – The Santa Monica Mountains

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    Although I’ve called these hills home for 7 years, there hasn’t been a single time that I’ve headed out into the Santa Monica Mountains without being pleasantly surprised by what I come across. While the terrain and the topography may prove familiar, the aesthetics are rarely a constant…the same hillside, or the same oak grove, or even the same sandstone rock will look different from hour to hour, day to day, week to week. Much of this has to do with the extremely colorful myriad of climate zones that take residence in this range due to its proximity to both the crisp coastal climate of Pacific Ocean, and the much warmer San Fernando Valley inland. The constant interplay between these various zones provides an ever-changing landscape, especially from the visual perspective. 

    This was never as evident to me as it was last week. 

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    Due to work and other personal obligations, It had been a few weeks since I’ve been able to get regular dose of self-imposed outdoor therapy, so when I finally got a few hours to hike out into the hills and drive around through some of the familiar winding roads that snake through this magical mountain range, I jumped on it. Over the two days that I spent out there, these are just some of the scenes that I ran across. The sunset scenes come from various points and lookouts along Stunt Road, while the park scenes are all form within Malibu Creek State Park, where I enjoy spending time volunteering from time to time, so I’ve become quite familiar with that gem. The only disturbing thing I saw…just another sign and testament of how bad our drought has become…was the Malibu Creek bed:

    In the 8 years I’ve been coming here, I’ve never been able to walk directly in the middle of the creek like this, especially this time of year. Not a drop of water was to be found. The driest I’ve seen it is usually around August, and even then, there’s still some water creeping through and ducks taking advantage of whatever is left. In any case, it was just another reminder of how everything is in a constant state of change and evolution, and there was a certain comforting beauty to be found in that as well.

    Anyhow, below is a gallery of images from those few days in various points along that mountain range. It’s hard to believe these were all taken a mere 25 minutes from Los Angeles. If click on any of them, it will show them larger in a slideshow lightbox. Hope you enjoy.

    And if you’re not sick of me yet, and you want some more visual stuffamabobs…git it:
    instagram: @wasimofnazareth 
    ello: @wasimofnazareth 
    google+: +WasimMuklashy

    And if you enjoy these posts, please feel free to subscribe to my mailing list at top right of this page, and I’ll deliver each post to you as I publish them.

    If you support the kind of work I’m doing and the things I’m sharing, please consider ‘subscribing to me’ on Patreon.com. Yup, subscribing to ‘me.’ You can even set the price. Literally, $1 per month if you want. No joke, your little helps me a LOT.

  • 3 Weeks In Sri Lanka – Part 7 : The Solo Journey Continues – The Elephants, The Elements, & The Shoulder Of Buddha

    3 Weeks In Sri Lanka – Part 7 : The Solo Journey Continues – The Elephants, The Elements, & The Shoulder Of Buddha

    Kandy Sri Lanka Bahiravokanda Vihara Buddha Statue2CWasim Muklashy Photography2CWasimof Nazarethformatoriginal

    Today…was going to be a long one! My host had a whole day planned out for me based on what I told him I wanted to see and do, and the first thing on that list was the Pinnawala Elephant Orphanage. The driver met me at the house at about 7am for the hour-long drive to the orphanage. I was a bit concerned after reading a few reviews the night before about the treatment of the elephants, and this was something I had to see for myself. As we entered the grounds, the first thing on the schedule was to accompany them during a feeding. This took place in a large open field that was part of the expansive forested grounds. For about an hour, we were able to view the elephants and, if we wanted, to take pictures with them. Something felt way too amusement park-ish for me about the whole charade, as handlers would aggressively reign you in to take a picture, after which they’d ask for a ‘donation,’ so I refrained from the novelties, electing to stand back a bit and just observe what was happening.

    For the most part, it all seemed ok, until I started walking around the grounds on my own. That’s when I noticed an elephant that was chained up behind some trees, hidden from obvious view, and it was extremely apparent the elephant was distraught. I didn’t know what to make of it, and asked one of the english-speaking guides, and they explained to me that that was a particularly unruly elephant that was kept away from the rest of the pack because of aggressive behavior. While the explanation certainly made sense, seeing as how I’m no elephant expert, it was still disturbing to see this and to this day, I’m still at odds of what to make of it.

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    After the feeding, they marched the elephants down to the river for their daily washing. Here, the difference in the elephants demeanor was quite obvious. They were happy. They frolicked and wandered and danced and posed while they bathed themselves and each other in the warm tropical waters of the Maha Oya river. No kidding, if you looked closely enough, them buggers were smiling! It was a gorgeous and majestic site to behold and be a part of. This went on for close to 90 minutes. I had time to take some pictures, grab lunch on the terrace overlooking the river, and then take some more pictures before they marched them back to the orphanage grounds, which marked the end of our visit. Here’s a few moments from this elephant experience:

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    On the drive back through the mountains to Kandy, the driver was pointing out various spice gardens, and asked if I’d like to visit one. I was certain he had some sort of arrangements with some of these establishments, but honestly, I didn’t care – yes, I was here, and I wanted to see a spice garden. So he pulled off into the Saffron Spice & Herbal Garden just outside the elephant orphanage in Kegalle, and it was well worth it. The guide spent a solid hour walking me through the grounds, showing me various spices and herbs they were organically growing, from cardamom to cinnamon to aloe, cocoa, and ginger, as well as the various tonics and lotions made from these very spices. I got a sandlewood lotion face and head massage, and then a solid 15 minute back and neck massage in an outdoor gazebo before drowsily making my way back out to my waiting driver.

    One of the things that was on the way back to town were 3 temples that were apparently a must see. Each of them was built from a different material and each of these mixed Hindu/Buddhist ‘devales’ was built in honor of a different god whose job it was to protect the city. First on the list was stone temple of Gadaradeniya Viharaya, then the brick temple, Lankatilake Viharaya, and finally, the temple of wood the Embekka Devale. There was no denying the historical significance of these structures. Once you hopped around to sufficiently allow your bare feet to acclimate to the hot concrete of the grounds (you’re required to remove your shoes), once you stepped into each temple, you can’t help but notice the details that remained after almost 700 years of weather and war and general wear and tear. The wood carvings – the stone sculptures – it was mind-boggling. And it was hard not to feel the calming effect of being in the presence of revered deities that have been worshipped on these grounds for centuries – a mood that was completely ruined by the one one extremely off-putting aspect of these Devale visits – the constant hounding for ‘donations.’

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    Every step of the way, from the moment you walked in to the moment you left, you were trailed by a different ‘tour guide’ or ‘temple keeper’ or whatever title they decided to throw on the un-assuming tourist at the time. It was truly a shame because the more it happened, the more irritating it became, and the less I wanted to visit the next temple. It proved to be an extreme detriment to actually enjoying and fully absorbing the weight and significance of these beautiful structures. I understand that this is an impoverished nation, and people need to make a buck, and as a tourist, I have no problem with it, but the irony of this particular situation was, if I wasn’t hounded, and there was a simple box at the front, I would have voluntarily left more than I actually ended up giving these self appointed ‘guides.’ 

    Anyhow, not to be deterred, I was determined to hit up one more landmark that was on my list before we began to lose sun on my final day in Kandy, and, well, my final full day in Sri Lanka, as I was scheduled to be on a plane the following night to begin my journey back home. So I had the driver take me to the Bahiravokanda Vihara, a towering 85 foot concrete Buddha statue that stands on a hill over the city, offering one of the best vantage points to take in the landscape and topography of Kandy. After watching monks run up and down the stairs entering and leaving the temple at the base of the statue, I made my way up the stairs alongside the statue that lead you to the shoulder of Buddha, from where you have an unbelievable panoramic view of the city. This is where I spent the final waning moments of the day. I was completely alone…watching…breathing…seeing…reflecting…just me and Buddha and the vibes of Kandy, “The Cultural Center of Sri Lanka.”

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    Just as the sun was setting a couple of girls visiting from Germany made their way to the shoulder. After trading stories of how we ended up on the top of a Buddha in the midst of the Sri Lankan highlands together, we quietly watched the sun set behind the hills as the lights around the city began to twinkle. It was perfect. 

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    Once the show was over, we walked back down the stairs together and decided to accompany each other to the Muslim Hotel for a highly anticipated kottu dinner, a version of Sri Lankan street vendor food. The rhythmic beat of the blades on the iron skillets, chopping up the noodles and the chicken and the beef and the vegetables across the town center are impossible to ignore, and according to just about everyone we asked, the Muslim hotel had some of the city’s best. And they were right. We indulged in various shared dishes and drinks, while we laughed and joked both at and with each other. I couldn’t have asked for a better last Sri Lankan supper.

    This was the point where we had to bid farewell to each other. They had to get back to their group and I had to get back to the apartment to get my stuff together to begin the journey back home to Los Angeles, California the following morning.

    Below is a gallery of images from this fine day, from beginning to end. Click on any of the images and it’ll pull up a lightbox slideshow.

    Be sure to check back in a few days for the conclusion and final throughts of this life-altering trip. If you’ve missed the first parts and would like to start from the beginning on this multi-faceted Sri Lankan adventure, click here for 3 Weeks In Sri Lanka – Part 1 : The Most Meaningful Work I’ve Ever Done.

    And if more gimme gimme I wanna have-a’s are desired, find them at:
    Instagram: @wasimofnazareth
    Ello: @wasimofnazareth
    Google+: +WasimMuklashy

    All images and videos for this series of blog posts were shot with a Samsung NX1.

    If you support the kind of work I’m doing and the things I’m sharing, please consider ‘subscribing to me’ on Patreon.com. Yup, subscribing to ‘me.’ You can even set the price. Literally, $1 per month if you want. No joke, your little helps me a LOT.

  • A Feel Good Day In L.A. – Volunteering For P.S.Arts

    A Feel Good Day In L.A. – Volunteering For P.S.Arts

    A Feel Good Day In L.A. – Volunteering For P.S.Arts

    So yesterday was one of those ‘feel good’ days. As a freelancer, there’s nothing worse for your psyche than not being booked and shooting, so when I was presented with the opportunity to volunteer for P.S.Arts at Billy Mitchell Elementary School, a school in Lawndale, a small underserved community in Los Angeles between Inglewood, Gardena and Compton, I jumped on it. P.S.Arts is an organization that was started 25 years ago by legendary jazz-man and the ‘A’ in A&M Records, “The” Herb Alpert, along with his partner Paul Cummings, to help promote arts in schools.

    As we all know, budgets continue to get cut for the arts, especially in public schools, so this is where these guys step in and help bring some programs back to these schools. And just from looking at their faces, It’s so obvious the kids love it. While they organize arts programs in all the different genres of arts, this particular one was a dance program in which kids from Kindergarten up to 3rd grade performed multi-cultural dances they had been practicing all semeseter. They were so happy.

    P.S. Arts is a non-profit organization, so as you can imagine, they rely a lot on volunteers to help them with things they need and they’re looking to gather some assets for a marketing campaign for their 25th anniversary, so when Angeleno Artistry passed along this opportunity, I signed up right away. Love doing stuff like this, especially after my experience in Sri Lanka, so figured why not. Below is a gallery of some of my favorite images from that dance recital yesterday, all of which were shot on the Samsung NX1 with a combo of the 16-50 S and the 50-150 S lenses. If you click on any of the images, it’ll open up a lightbox to view larger versions.

    Side note: School cafeteria lunches still smell EXACTLY the same as I remember them…

    If you want to learn more about P.S.Arts, visit PSArts.org. And if you want to help them out as well (they work throughout Southern & Central California), contact me about it, and I’ll be more than happy to connect you.

    For other stuffnot and whatthings, feel free to cyber stalk me at:
    Instagram: @wasimofnazareth
    Ello: @wasimofnazareth
    Google+: +WasimMuklashy

    And if you support the kind of work I’m doing and the things I’m sharing, please consider ‘subscribing to me’ on Patreon.com. Yup, subscribing to ‘me.’ You can even set the price. Literally, $1 per month if you want. No joke, your little helps me a LOT.

  • 3 Weeks In Sri Lanka – Part 6 : The Solo Journey Continues. Next Stop: Kandy – The Cultural Capital Of Sri Lanka

    3 Weeks In Sri Lanka – Part 6 : The Solo Journey Continues. Next Stop: Kandy – The Cultural Capital Of Sri Lanka

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    So this was it. I had 3 more days left before I had to make my way back to Colombo and begin my 36 hour journey back to U.S. soil. I had two choices…I can head down to the beach and just marinate for a few days, or I can continue the cerebral stimulation and head to Kandy, “The Cultural Capital of Sri Lanka.” Against most of humanity’s better judgement, I chose the latter.

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    To get there from Nuwara Eliya, I had to bid farewell to the gorgeous valley of the tea, tuk-tuk down to the Nanuoya train station 8 miles down the road, and find myself a seat. This turned out to be one of the most beautiful train rides I’ve ever been on. We started and ended by slowly snaking our way through 90 miles of the same lush green tea-infused hillsides we drove up to get here, only this time, we were away from the people and the commerce-driven hustle bustle of the road that led up and down the mountain. This time, we hugged the mountainsides as we periodically rolled through tiny track-side villages, many of which consisted of nothing more than 5 or 6 small structures and a store. This is a train ride I think should be added to just about everyone’s bucket list. It was that stunning.

    Kandy is quite significant on so many levels to the history and present of Sri Lanka. It served as the last capital of the ancient kings era in Sri Lanka, and, among some of Buddhism and Hindu’s holiest sites, houses the Temple of the Tooth, an enormous and religiously significant temple in the Buddhist faith. Additionally, Kandy, the second largest city in Sri Lanka behind Colombo, serves as a major and important commerce route linking all quadrants of the country, not surprisingly, playing a major role and hub for operations during the 3- year civil war I spoke of in the first few parts of this series. Since then, they’ve put a major focus on tolerance and integration amongst populations, from the Buddhist population to the Hindu population to the Muslim population, Singhalese and Tamil alike, with wonderfully vibrant charming results. While the population of Kandy is listed at about 120,000, it truly feels like a much smaller, quaint town, much of which has to do with its topography – pockets hidden and tucked into hillsides and valleys.

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    I rolled into town in the early afternoon, got a hold of my host in Kandy, another Airbnb reservation, and another one that I got super lucky with. I landed a spot in Alex Home Stay. The reviews were off the charts, so I wasn’t sure I’d get in, but I was fortunate enough to catch him during an open window. Not only did I have my own entire apartment in the hills just above the town, but Alex, who lived upstairs, was also a certified tour guide in Sri Lanka, so he was able to put together an itinerary for me based on what I wanted to see and do. I got in early enough to have a full afternoon and night in which he led me right. I took a tuk-tuk downtown, had my driver find me a Muslim jewerly shop (apparently that’s where you’ll get the best currency exchange rates), and then drop me off right in front of The Temple of the Tooth. The Temple of the Tooth, a World Heritage Site, and one of the holiest places in the world for Buddhists, is perhaps best known for housing one of Buddhas teeth in a shrine in the center of the temple.

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    I walked onto the opulent grounds and as I crossed the bridge over the moat and into the compound, immediately felt a calmness come across me. I was instinctually possessed to be quiet, aware, and introspective, a feeling that was only magnified as I walked into the temple and up the stairs that led to the shrine. It was filled to the brim Buddhist devotees sitting on the ground throughout the room, all chanting in unison, led by a monk dressed in traditional orange robes at the center of the room facing the shrine, which was shroud with lotus flowers covering the color spectrum. 

    I was here. 

    This was happening. 

    I was part of it. 

    So for a few moments I could call my own, I sat down and just listened. It wasn’t long before I found myself entranced and almost hypnotically chanting along with them. I won’t lie, there was something there, an energy, something I wasn’t quite used to, and I know this might sound contradictory, but I don’t know how else to put it…I freaked out a bit at how calming it was. This struck me enough to get a sudden twinge of anxiety, leading me outside of the room. It was a bizarre feeling, one I still can’t describe, but I’m fairly certain it had a lot to do with the inexplainable discomfort of facing yourself upon finding yourself suddenly vulnerable in a completely unfamiliar environment. I wasn’t ready for that. And looking back, I now wish I had stayed and worked my way through those feelings to see what was on the other side. 

    In any case, I spent the next hour or so meandering through the rest of the grounds, which included everything from the Sri Dalada Museum, which explained the story of the tooth relic through pictures and ancient scrolls, imagery, and statues. Apparently he who holds the sacred tooth relic, which was fought over for centuries, holds the governance of the land. I also got to check out the outlying gardens which played host to a glass room full of prayer candles, in which an endless stream of devotees walked in, lit their candles, made their offerings, and quietly prayed before making their way out.

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    After this, I found myself walking on the other side of the temple, where I heard dancing and music and drums, and as I followed them, found an old Red Cross building that was hosting a Kandyan dance, essentially a traditional Sri Lankan dance recital. This I could not pass up. It had just started so I bought myself a ticket and walked in to a packed house and balcony watching this display, not unlike what you’d see at a traditional Hawaiian luau, but with the story, dance, costume, and garb  illustrating Sri Lankan history. The recital is performed to percussion only, and through costumes depicting different animals, tells the story of shamans that came to cure the king of a mysterious illness caused by black magic of the king’s first wife. 

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    After this 90 minute show, I figured it was time to call it a night as I had a long day ahead of me, for tomorrow, I’d be heading deeper into the hills to see something I could not leave Sri Lanka without seeing…elephants! 

    To see those magnificent beasts, click here for 3 Weeks In Sri Lanka – Part 7 : The Solo Journey Continues – The Elephants & The Elements, & The Shoulder of Buddha. Or you can always sign up on the right with your email address and I’ll send each new post directly to your inbox.

    For now, below is a gallery from that first day in Kandy. Click on any one of them and it’ll open a lightbox slideshow.

    If you missed the beginnings of this journey, be sure to start off with 3 Weeks In Sri Lanka – Part 1 : The Most Meaningful Work I’ve Ever Done.

    And if you needs you some more wanna wannas, there’s always:
    Instagram: @wasimofnazareth
    Ello: @wasimofnazareth
    Google+: +WasimMuklashy

    All images and videos for this series of blog posts were shot with a Samsung NX1.

    If you support the kind of work I’m doing and the things I’m sharing, please consider ‘subscribing to me’ on Patreon.com. Yup, subscribing to ‘me.’ You can even set the price. Literally, $1 per month if you want. No joke, your little helps me a LOT.

  • PTTOW Gone Done Did It Again – Planning The Future From The Palos Verdes Peninsula

    PTTOW Gone Done Did It Again – Planning The Future From The Palos Verdes Peninsula

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    Like last year, I had the incredible opportunity of being a fly on the wall as a house photographer at this year’s PTTOW summit, once again taking place on the Southern California beachside Terranea Resort in Rancho Palos Verdes. PTTOW, which stands for ‘Plan To Take On The World,’ brings together some of the world’s most influential marketing players from companies including Red Bull, Vice, Discovery Channel, ESPN, and GoPro with some of the planet’s most visionary thinkers, futurists, and entrepreneurs, including inventor of wireless charging and CEO and founder of UBeam Meredith Perry, Singularity University and X-Prize’s Peter Diamandis, who, at this very event last year revealed plans to mine near-earth asteroids, Dr. Astro Teller from Google X who gave compelling evidence no why allowing, and paying, employees to make mistakes, serves the best interests of the company, Nely Galan, founder of the Adelante Movement, who gave her take on the rise of the country’s largest growing market, minority women, and the one and only Quincy Jones, a guest of honor who certainly knows a thing or two about helping minorities rise.

    Having National Poetry Slam Champion IN-Q present the keynote with his spitfire anti-immoral-corporate rhymes to an audience full of corporate suits was a gutsy move and immediately set the tone for the conversations that would persist through the rest of the 2-day conference. Bringing together the young and brilliant minds that are envisioning and creating the future, with the minds that will bring those ideas to the masses, seemed like a no-brainer and I can only imagine what the partnerships that have been forged during these two days might bring about. Mix this with bonding experiences that included everything from golfing together to arts and crafts sessions to helicopter tours over Los Angeles, Navy SEAL training exercises, cigarette boat racing, and speed dating-style ‘Spark Sessions,’ throw in some entertainment provided by popular acts ranging from magician David Blaine to violin phenom Lindsey Stirling, soul vocalist extraordinaire Andra Day, young WARP-tour breakout act Echosmith, and the jazz, rhythm and blues of Jon Batiste, all set on a foundation of round the clock delicious catering and plenty of open bars, and you’ve got yourself a busy group of networking gotchas running around these Southern California bluffs.

    Anyhow, here’s a gallery of some of my favorite images and moments from those whirlwind 48 hours (if you click on an image, a slideshow lightbox will pop up). 

  • Saul Williams Pops A White-Head

    Saul Williams Pops A White-Head

    (Author note: I first ran this in the Spring of 2004 in WAV Magazine, which eventually became Kotori Magazine, a music and culture print magazine I used to publish in a previous life. After seeing a CNN piece this morning on Saul Williams, I felt that, on the anniversary of September 11, it was only appropriate to re-share this one to take stock of how far, or backwards, we’ve come since that fateful day. It’s a bit frightening how much of it actually still holds water more than a decade later. This interview took place at the Troubadour in Hollywood during what was billed a 9-11 tribute event.)

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    If you were looking for a heartfelt, emotional 9-11 tribute event, you most definitely got it. But if you were expecting flags waving and lit candles and prayers and long-winded speeches on defending freedom in America, you came to the wrong show. Don’t be quick to confuse this with an anti-patriotic or anti-American event…quite the contrary. This was as patriotic and American as it gets. The purest form of freedom of expression and display of truth this side of the Atlantic. This was pure poetry. This was painfully real. This was Saul Williams.

    “Out of destruction comes creation.”

    Dark…introspective…analytical…thought-provoking…no-holds-barred…almost offensive.

    “This show is in memory of those that passed and in honor of those who live!”

    He spent the first 5 minutes spitting out, in his trademark fluid-fashion, the carnage and atrocities that America has had its hands in at home, as well as abroad…the Middle East…Native Pre-America…Africa…South America….Europe…Asia. This sent the anxious sold-out crowd at the Troubadour in Hollywood, the very motherland of farcity and synthetic reality, into an immediate hush. It was not what they were used to, not what many of them wanted, but this was what they needed to see…what they needed to hear…what they need to carry with them almost in order for this version of the human race to survive.

    I had the honor of speaking with Saul about a week after the show and asked him about his immediate thoughts following the events of 9-11-01. Without hesitation he exclaimed “My thoughts on 9-11 were the same thoughts I had when Bush got elected….WOW! Finally!”

    Finally? Funny. Those weren’t exactly my thoughts.

    “Those were my thoughts because I knew that in order for things to change, major things had to shift.”

    His brutal honesty, vocal eloquence and scathing observations are what have helped Saul stand above the rest in a day and age where it is becoming increasingly difficult to question a blatantly subversive and authoritative environment. He goes on…”Bush’s election…I was excited because, well, I think of Bush as a pimple. ln order to get rid of a pimple, you have to dry it out, then finally when you get a whitehead, you know that pimple’s just about gone…that you’re very close to healing… and I saw Bush as the whitehead on the face of American politics…but the bad part about it is that after a whitehead, there’s usually a bit of blood. With 9-11, I saw it as the inevitable, not that it was predictable, but I knew that something had to happen to shock people into greater forms of relating to the world and themselves. When I think of all the stuff that America has been a part of…I just thought, it’s a matter of time before we experience something on our land.”

    Saul wasn’t short on words regarding the subject of our country’s major makeover over the past few years. “It’s interesting because America is such a special and important country in the history of the world itself and all of the special things that we’ve grown to symbolize and be a part of. Then on the other hand, there are all of the atrocities that have become second nature to this country. In many ways we have an inescapable past… that I will not call unforgivable, but it’s inescapable. It is completely forgivable only because of people that have been in harm’s way as a result of our past are forgiving people.”

    For example? “I did a reading in Boulder, Colorado and the place was really packed so I had to stand on top of a table on the stage so that everybody could see. So I’m standing on the table speaking and I referred to America as ‘stolen land.’ Well, a young Native American man raised his hand and he goes, ‘Saul, might I correct you? America is not stolen…we share it and continue to share it’. So I had to correct myself. I was like, wow…that is the spirit that we have manipulated. Why would we try to manipulate such giving spirits?”

    So when did you realize that you couldn’t keep quiet anymore? That you needed to speak up and question all those things around you? “I’ve had several moments. One moment was when I was in the 7th grade. I had a teacher talking about blood types in biology class. So he goes, ‘If a brother was driving a Cadillac on a golf course and he hit a gentleman in a golf cart, how many people think the brother would help out the gentleman in the golf cart?’ I stood up, walked out and the teacher ended up getting a permanent file on his record. Another time, in Social Studies class, there was a multiple choice test and the question was ‘What is our motherland?’ The answer was supposed to be England or Europe or what-have-you. Well, my answer was ‘Africa’ and I got it marked wrong. So there ended up being a protest and they realized how problematic it was to have that question. There’ve been tons of moments like that. Those were the times that I realized you need to always question authority.”

    Saul was definitely prepared with an arsenal of important voices on that chilling Thursday evening at the Troubadour. The impressive aural army he asked to join him onstage as his ‘supporting cast’ was announced only hours before the show, but there were still almost as many people stuck outside trying to sneak a peak into the monumental event behind the double doors as there were inside.

    “I’d like to introduce a few of my friends who I’ve asked to join me this evening… please welcome…Zack De La Rocha!”

    Yes, the Zack De La Rocha.

    He walked out onto the stage to a rowdy ovation, proceeded to the mic and began ferociously reciting Amira Baraca’s 1200-word poem “Somebody Blew Up America.” For those of you who don’t remember – or most likely never heard – Amira Baraca was a Nobel Peace Prize winning poet who was stripped of her laureate after publishing this poem following 9-11. “Freedom??? Yeahhh…right!”

    The crowd now knew that this was no sugar-coated, beat-around-the-Bush, night-out-on-the-town, shiny happy people evening. They got so quiet you could hear their heartbeats. Tonight, the stage was going to be shared by a group of fiery outspoken recognizable personalities who were and are courageously standing up for the honorable ideals that our great country was built upon. The same ideals that have been so diluted by dead presidents and aggressive marketing throughout our past. The very ideals that we are at risk of losing forever if we fail to do something about it now. Freedom. Saul Williams put it best when, after Zack was finished with his reading and on his way behind the drums (yes, the drums), he exclaimed “Guess who’s voice was banned by Clear Channel after 9-11!”

    “Next I’d like to introduce…Serj Tankian!” He walked up to the mic, recited a piece of his own analytically socially-conscious truth, sat down and picked up a sitar (yah, yah, I know…a sitar?). And finally, “Please welcome…Money Mark!” As he finished a 30-second piece he scribbled on a dinner plate before the show and headed to the only remaining unmanned station on the stage…the keyboards…a stack of newspapers and books was dropped at the base of Saul’s microphone stand. They wasted no time. While Zack pounded on the skins with the same ferocity that we’re used to seeing behind the mic, Serj toyed around with his awkwardly chosen set of strings and Money Mark did his magic on keyboards. The stage was finally set to Saul’s
    carefully arranged specifications. Improvisation at it’s very best. He proceeded to pick up the front page of the New York Times of that very day (9-11-03) and began reciting just the headlines. As the pace and intensity of the backing music picked up, as did his voice and his anger. It built and built and built until not a single negative, violent, scare-tactic headline remained…from front to back…of the nation’s biggest newspaper. This was not a show. This was simply what’s being drilled into our heads…our minds…our very being…day after day, story after story, headline after headline. This was a display of pure, raw, powerfully evocative, heartfelt emotion. You can’t script that…

    “I introduced Zack and Serj the day before,” Saul explains. “We all met and they brought their instruments and we were all ready to rehearse for it, I mean really rehearse, but as soon as they started playing, within like 10 seconds, I was like, ‘WOW! You guys have amazing energy together and I don’t want to fuck it up…so just stop…[save it].’ We only played about a half hour, 45 minutes before-hand because it was so good, it was amazing.” And by the time the four hit the stage that chilling Thursday night, it was obvious that they were ready to explode.

    After they powered their way through 4 jams, they met and embraced at center stage, then reluctantly walked off to watch the rest of Saul’s performance. They didn’t want it to end. They have so much of importance to profess and no matter how much they do, they know there’s still more. And they want to do it all. Saul couldn’t help but think out loud, “I feel like a part of something historic.” When asked about this, he humbly explained “That just really spoke to the fact that I was on the stage with people that I really admire, whose work that I really admire. Whose voices that I really admire. And that those voices had chosen to lend their voices to my vision for the night was an amazing compliment.”

    And the lead voice that evening shines just as bright in his latest book, “said the shotgun to the head”…a beautifully structured, gut-wrenching book / poem that took him 4 years to put together. “Around 9-11 is when I realized the importance of the poem,” Saul explains. “It started out as somewhat of a love-story to the female messiah (who I had already deciphered as Kali, the Hindu Goddess of destruction and creation). At the time of 9-11, the whole idea of having to destroy in order to build had much greater weight, so at that time, I realized the poem itself would be book length. That’s when I set out to focus my work on the book.” All this focus on 9-11 and the face of American politics today seems to be the central theme for the strong message that Saul is trying to convey.

    “9-11 was an alarm clock and if the alarm clock went off at 7am, I’d say it’s only like 7:50 right now. We’re still a bit groggy, we haven’t really had anything of substance to eat yet, we haven’t had our morning coffee, so we’re not bright -eyed. We could easily fall back asleep.”

    You really think so?

    “Yeah, I think so. Falling asleep means not giving a fuck. Falling asleep means not speaking up and letting Bush and whoever do whatever they want in the name of counter-terrorism. Falling asleep means not raising questions.”

    He paused thoughtfully before concluding:

    “If we’re not careful, we’ll end up exactly where we’re headed.”

  • Kotori Magazine – I Once Used To Publish A Music Art Politics Culture Magazine

    Kotori Magazine – I Once Used To Publish A Music Art Politics Culture Magazine

    I once had a magazine. It was all about music, art, politics and culture. It was rad. It started as WAV Magazine, but then we almost got sued by Clear Channel, so changed it to Kotori Magazine (with the blessing of a Hopi Indian chief, as ‘kotori’ is one of their sacred kachinas).

    Well, that magazine no longer exists.
    And at the time, neither did smartphones.
    Yes, I’m old.
    But I would not let those magazines die.
    So here are the PDFs.

    Scroll through the buggers and you’ll find interviews and features with everyone from Ozomatli, NOFX and System of a Down to Ralph Steadman and Noam Chomsky. Those were interesting days…

    WAV / Kotori Magazine Issue 1 - Saul Williams / The Crystal Method / DJ Dan / 1208 / Conversations with a Human Shield / The Frames / Freddi C / DJ Swamp / Hisham Samawi / ph10 and more…
    Issue 1 · PDF
    WAV Kotori magazine Issue 2 Ozomatli Michael Franti / DJ Numark / The Mars Voltas Ikey Owens / Dillinger Escape Plan / Slicker / Congressman Henry Waxman / Shepard Fairey / Solar Energy / Robbers on High Street / George Sarah / Ulysses Jasz Band
    Issue 2 · PDF
    WAV Kotori Magazine Issue 3 The Mars Volta 22-20s Prefuse 73 Breakestra Mark Farina Ralph Nader Sage Francis Blood Brothers Bush vs Mother Nature Sound Tribe Sector Nine Mike Patton
    Issue 3 · PDF
    WAV Kotori Magazine Issue 4 - DJ Rap / Dredg / Idiot Pilot / Autolux / DJ Craze / The Rebirth / Mr.Lif / Platinum Pied Pipers / Telepopmusik / John Kelley / Chaz / Bobby Seale / Willie Nelson / Sierra Club Carl Pope
    Issue 4 · PDF
    WAV / Kotori Magazine Issue 5 - System of a Down / Danger Doom / The Suicide Girls / Rise Against / Atmosphere
    Issue 5 · PDF
    WAV Kotori magazine issue 6 - The Prodigy / Dilated Peoples / George Clinton / Metric / Sasha & Digweed / Gram Rabbit / DJ Muggs / Portugal the Man / Silversun Pickups / Bombay Dub Orchestra
    Issue 6 · PDF
    WAV Kotori Magazine Issue 7 - NOFX / Rob Zombie / Greg Palast / Cut Chemist / DJ Krush / Dieselboy / Tigarah / The Voices / Danger Mouse
    Issue 7 · PDF
    WAV Kotori Magazine Issue 8 - Ralph Steadman / Tool / Thievery Corporation / Lyrics Born / CL Smooth / Defari / Katt Williams / Stimulus / Douglas Brinkley / Vaja / Ming & Ping
    Issue 8 · PDF
    WAV Kotori Magazine Issue 9 - La Coka Nostra / Dr Grinspoon / Kiva / Deerhoof / The Locust / As Tall As Lions / Clutch / David Choe / RJD2 / Norma Jean / We Are The Fury
    Issue 9 · PDF

    The following issues were all published after we stopped print. These were audio & video enhanced PDFs — before the iPads and iPhones. Yes, we were way ahead of our times.

    WAV / Kotori Magazine Blast 1 — Clutch / RJD2 / Kiva
    Blast 1 · PDF
    WAV / Kotori Magazine Blast 2 — The Locust / Stephen Marley / El-P / American Sodomites / BUA
    Blast 2 · PDF
    WAV / Kotori Magazine Blast 3 — DJ Mark Farina / We Are The Fury / Coachella / Michael Franti / Dr Grinspoon / Rage Against the Machine / B-17
    Blast 3 · PDF
    WAV / Kotori Magazine Blast 4 — Mocean Worker / The American Black Lung / Tom Morello (The Nightwatchman) / The Used / Steve Carson Band
    Blast 4 · PDF
    WAV / Kotori Magazine Blast 5 — DJ Z-Trip / Leimert Park / UNKLE / Melt Banana / Imagination Station / Mark Masky
    Blast 5 · PDF