Tag: tuolumne meadows

  • How To Perform A Quick Minor Composite In Photoshop

    How To Perform A Quick Minor Composite In Photoshop

    Wasim Muklashy Photography_Tuolume Meadows_Yosemite National Park_California_Samsung NX30

    As I was standing in Yosemite’s Tuolumne Meadows a few weeks ago, awaiting the sunset, I was on a sandbar off to the north side of the Tuolumne River east of bridge leading towards Soda Springs. As I stood there framing the shot, I got the elements I liked, and the light was just about to be perfect. The focus of this one was the light dancing upon the top of Cathedral Peak and Unicorn Peak and the trees on the ridgline below it. As the light started to bounce off those treetops and the peaks, I began to snap a few frames. I was delighted.

    About 2 minutes in, a lone deer decided to wander up and pose directly in the bare patch of grass in the foreground of my image. I damn near lost my mind. It looked at me, I looked at it. It turned away and just stood there. There was no doubt in my mind this was all about vanity, and it wanted its portrait taken. Who was I to argue? I immediately adjusted the exposure and

    Snap.

    Got the bugger.

    As soon as the shutter fired, he looked back at the water, up at the mountains, and walked away. It was like a gift from the Yosemite gods.

    After the deer left, I was still noticing the light on the top of the ridge line, so went back to my original plan, sans deer, and fired a few more frames.

    Wasim-Muklashy-Photography_Tuolumne-Meadows_Yosemite_National-Park_Deer-Composite-Tutorial_Comp

    When I got to the computer to check out the images, I noticed elements from each frame that I loved. In the one with the deer, I loved the light bouncing off the tops of the trees and, well, of course, the star of the show, the deer him/herself. But what I liked in the images I took after were the sharpness of the ridge-line that was lacking in the frame with the deer because I was focused on that element of the composition. Problem is, this frame didn’t have that second row of light on the trees, and well, it didn’t have the deer. This is were I thought to myself, it’s about time. Time to get my feet wet with composites. And this seemed like a relatively easy enough situation to do it. I was going to take that deer and the lights on the treetops from the 2 minutes earlier, and put him in the frame with the sharp mountain tops.

    My first attempt was to try to use the selection tool. Nope. Then I tried the magic wand. Definitely nope! Then I took the two layers, put the deer-less one on top, and tried using the eraser where the deer was. Absolutely nope!!

    At this point, I knew I was going to have to break down and figure out how to use a layer mask, but I had never really done it before. I first checked out a few tutorials on YouTube before I ended up consulting with my brother, who, as an animator and illustrator, has had some considerable experience in Photoshop. He walked me through it, and it seemed to work out perfectly. Here’s a brief video describing the method that I used to get the resulting image you see at the top of this post:

    The image was shot on a Samsung NX30 and a Samsung 18-200mm lens.

    And for more of my madness:
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  • A Surprise Journey Through The Range Of Light – Part 2 – Tuolumne Meadows, Yosemite National Park

    A Surprise Journey Through The Range Of Light – Part 2 – Tuolumne Meadows, Yosemite National Park

    Wasim Muklashy Photography_Tuolumne Meadows_Yosemite National Park_California_A Deer Pops in For A Drink

    This is just one of those places. You hear about it, you see pictures of it, you read about it, and if you’re a nature-lover or photographer, or better yet, both, you’d be hot damned if you that’s the one you didn’t get to cross off your bucket-list.

    Tuolumne Meadows, Yosemite National Park.

    The mystique around this place runs high. It’s been called a ‘photographers paradise,’ as well as one of ‘the most difficult places to photograph.’ The thing about it is, it’s closed off most of the year. The picture-perfect gentle alpine meadow bordered on all directions by soft granite domes and spires, and blanketed in pines and wildflowers and berries and natural grass, lies in the highest of high countries in the Sierra Nevada Mountains, so Tioga Road, the only one that passes through, is snowed in on average of 7 months a year, and on top of that, the meadows are ‘meadowed’ for only about 3 months of the year (as a local park guide so eloquently put it). Furthermore, those 3 months just so happen to be the absolute busiest months of Yosemite National Park’s schedule, but, as stated in Part 1 – Mammoth Lakes, there was no way I was not going to seize this unexpected and completely spontaneous opportunity to make my way to this alleged garden of Eden.

    Tuolumne Meadows, Yosemite National Park, California. Summer 2014.

    I pulled onto Tioga Road at about 4pm, with about 4 hours before sunset, which I figured was enough time to at least explore a bit and find a place I was going to call camp for sunset. As I wind my way up and through the Tioga pass from Lee Vining on the Eastern Sierra side, I slowly rolled through the sort of landscape that dreams and fantasies are made of, the kind of place you thought only existed in cartoons and psilocybin – crystal clear sky blue cascading streams and rivers snaking their way through saturated green grasses and tress of various sizes and varieties, flanked by sun soaked rolling hills comprised of rolling granite domes and lodgepole pines.

    As I drove through at about 10 miles per hour, I literally found a tear in my eye – I was in absolute awe of some of the most striking, insanely unreal scenes that would trump a psychedelia-soaked dream. I won’t lie. I was overwhelmed. How the hell was I going to only spend 5 hours here?

    I figured since I only had this afternoon, I’d stop by the visitor center and ask for a few tips. The nice lady was hesitant at first to give out one of her favorite spots and secrets, but after she found out I was a State Park volunteer, she figured she was in safe territory and loudly ‘whispered’ a tip. I thanked her kindly, and went to follow her tip as I made my way around a particular dome. I hiked in for about 35 minutes before realizing I had no flashlight to get back out, and this was bear country, and I was finding myself in a maze that wouldn’t be ‘fun’ to try to scramble out of after dark. While the landscape was absolutely breathtaking as I followed the river through a forested part of the meadow, I had a scene in my mind  and this was taking me away from it. I wasn’t going to be able to get the sunset colors with the snaking stream through the meadow I had envisioned. After a quick glance at the clock, I had to make a decision quick as I was less than an hour from sunset. I hastily decided to hike back out, and head down the road to a more open part of the meadow and just hope I can find something I’d be happy with.

    Tuolumne Meadows, Yosemite National Park, California. Summer 2014.

    I truly felt so overwhelmed, that I was absolutely certain that I wasn’t going to get a shot because I made the fatal mistake of running around looking for the best one, but made peace with it when I just figured I’d come back the next day now that I have a bit of the lay of the land. And I certainly wasn’t going to cry about that. Plus, I may not get the shot I had envisioned, but, I’m in Tuolumne Meadows at sunset, I’m sure as heck not walking out with nothing!

    So I slowed my roll, took a breathe, and decided I was just going to enjoy this one. I hiked into the riverbank, sat on a rock to soak in this paradise, and right at that very moment, is when I found and saw my shots. All within striking distance of where I started walking around like a crazed half-bearded madman. The most surprising was a shot that ended up being one of my favorites, it was well after the sun had set, and I had already packed my gear and was using my phone’s flashlight to find my way back out to the road. That’s when I ran across the purple twilight light reflecting in a small pond and playing with the shadows of the landscape just off the path. I had to do it – I pulled out my gear, set up, and spent about another 30 minutes after dark playing right there in that area.

    Twilight Over Tuolumne, Tuolumne Meadows, Yosemite National Park, California. Summer 2014.

    So here’s a bit of a gallery of my favorite images from that afternoon, all of which were shot on a Samsung NX30 using a Samsung 18-200mm lens.

    For Part 3, Mono Lake, click here.

    And in case you missed A Surprise Journey Through The Range Of Light – Part 1 – Mammoth Lakes, click here.

    And for more of my madness: Instagram: @wasimofnazareth Twitter: @wasimofnazareth Google+: www.Google.com/+WasimMuklashy Facebook: www.Facebook.com/WasimOfNazareth