photography by wasim.

Tag: nxmini

Hoorah! The Samsung Imageloggers (Including Moi) Took Over Rangefinder Magazine.

So this Samsung Imagelogger journey has been an extremely unexpected ray of light that just keeps shining brighter as the months go on. In addition to the cameras and gear (as if that wasn’t enough), another huge benefit of this thing is the ridiculous exposure and opportunities we get. Some of us got to go to Photokina on Samsung’s behalf, some of us gave away free NX30s in Times Square a few months ago, some of us had our images used in promotional material and ads, some of us ended up on a safari. Well, this week, some of us had the humble pleasure of taking over a full special issue of Rangefinder Magazine, a pretty influential magazine in the photography industry. It’s the official magazine of WPPI (Wedding & Portrait Photographers International) and one that is part of the The Photo Group network, the same group that puts on Photo Plus Expo each year in New York City (coming later this month coincidentally…). So here’s a digital version of the issue: http://tinyurl.com/mosgsaq

I won’t tell you what page I’m on to not-so-sneakily force you to flip through these other incredible photographer’s work.

Check out the feature on Laura Winslow and how she uses photography to document her children’s lives – those sunny funny bright images are impossible not to love.

Check out Rinzi Ruiz and how and why he uses his cameras to produce some of the most striking fine-art street photography in today’s modern landscape.

Check out husband and wife team Tim and Staci Landis’ beautifully unconventional pairing and the incredible photographic journey it has led them upon.

Check out how prolific photographer and host of the Candid Frame Podcast, Ibarionex Perello, used the compact nature of a mirrorless system to intimately capture a portion of the fantasy inducing Eiffel Tower standing in stark contrast to an impromptu political protest in Paris.

And finally, you’ll find my image “Family Time,” and the story behind it in there.

How they figured I should be squashed between these people, I’ll never know…but I’ll take it! Anyhow, it’s an incredible honor and I’m completely and utterly humbled to be amongst such an insanely inspiring group of people and can’t wait to see what the next year brings.

In the meantime, if you guys are planning on getting a new camera, call me crazy (I would have too a year ago today), but I can’t say enough about these Samsung cameras. Pretty much every image you’ve seen me post here or Google Plus or Instagram or Twitter since last November has been on one of their offerings, and quite honestly, it’s undoubtedly been the biggest year of growth for me in terms of photography.

The NX300

The NX30

The NXMini

The NX3000

and coming soon (but not soon enough hot damnit!)…the NX1:

Ok then, go shoot some stuff!

For more of my madness, take your pick:
Instagram: @wasimofnazareth
Ello: @wasimofnazareth
Twitter: @wasimofnazareth
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October 2, 2014
A Spontaneous Excursion Up Pacific Coast Highway – Part 3: More Big Sur

The next few days in Big Sur were nothing short of magical. We woke up the following morning, our first in Big Sur, and figured the most logical thing to do would be to hit the beach. And, well, who are we to argue logic? The universe led us down the 3/4 or so mile hiking path from the campsite, through a covered canopy of trees that straddles the Big Sur River, all the way down to the quaint cove that makes up Andrew Molera State Beach. We spent several hours here sunning, swimming, playing, fighting off the seagulls that boldly flew off with half our food, and watching the surfers slowly but surely converge at Molera Point as they anticipated the swells from Hurricane Marie, the category 4 that had hit Baja California earlier that day, to come ashore any moment. And boy did they! We watched surfer after surfer catch wave after wave that ranged from 3 feet breaks all the way up to what seemed like at least 8 or 10 feet for the more advanced.

We headed back into camp mid-afternoon, some rested, some napped, some ate. Myself and Stephen, we had USB battery bricks and phones to charge, and some business to handle, so we headed into town (and when I say town, I say this very generously, for ‘town’ consists of a grocery store, a restaurant, and a gas station). We took a seat at an outdoor table at the Big Sur River Inn, had some fresh coffee, and got down to business. We charged up our power bricks, and headed back to Molera, hiked back into camp just in time for a campfire and dinner. And that’s when we got a reality check from this fantasy world.

The rangers came up to us to inform us that as of 3 hours ago, the higher ups have outright banned campfires and even camp stoves until further notice. The reason? Drought. The California drought has gotten so bad and so serious, and the land so brittle and dry, that not only did they had to ban campfires and camp stoves 3 days before the famously busy Labor Day weekend, but they also increased the fine from $500 to $5000 to hammer home that this was no joke. If this state doesn’t get some much needed precipitation relief in the coming months, the ban could very well go through all of next year.

In any case, we figured since it was our last campfire, we’d go out with a bang…”S’MORESSSS!!”

The following day, we decided to head up the coast to Point Lobos State Reserve. In all the years of my coming to Big Sur, I’ve never stepped foot in here, and I was stupid not to. This place was incredible. We walked through a Cypress grove, we went geocaching at the old whaler’s cabin, and we hiked around the point, soaking in views of the famous coast. Perhaps the highlight of this part was the tide pools that dotted the rugged coastline. The closer we got to them, the more magical they became…we saw regular crabs, hermit crabs, a dizzying myriad of shells and sea urchins. It was beautiful.

As we sensed the sun begin to set, we figured it’d be a good time to head back to camp, eat some dinner and perhaps try to catch the sunset on the coast back at our beach, Andrew Molera State Beach. We were able to get back in time to feed the belly, but, the clouds started rolling in, so unfortunately, our sunset that evening was hidden from view. Which was alright. We marinated around the lantern, told some stories, had some scotch, and called it a night…figured since I was planning on leaving the next morning, I should get a good night’s sleep for the long drive back.

Below are the images from this part of the trip, all of which were taken on Samsung NX3000 and NX30 mirrorless cameras.

Click here for the final installment of this trip, Part 4: From Big Sur To Barbeque.

And if you want to start from the beginning, click here for Part 1: Morro Bay

And for more of my madness, including additional images and edits from this very trip: Instagram: @wasimofnazareth Twitter: @wasimofnazareth Google+: www.Google.com/+WasimMuklashy Facebook: www.Facebook.com/WasimOfNazareth

September 23, 2014
How Instagram’s Cheesy Photo Filters Have Made Us More Creative

I know.
I was one of those people.
But after rediscovering Instagram the past few months since deleting my original account two years ago as a futile act of defiance after the billion dollar Facebook acquisition, I’ve come to realize, that couldn’t be further from the truth. It’s far from cheating and it’s actually quite the contrary, it’s incredibly liberating…which just so happens to be a prerequisite for the most creative of all art!
Basically, here’s my take: just because I don’t know how to make something look like an old western scratched sepia photo print in Photoshop, or I don’t have an old western camera with old western film and old western chemicals and an old western darkroom to process in, doesn’t mean I shouldn’t be allowed to express a vision that happens to be in the style of an old western scratched sepia photo print. If I had to learn how to do it, or save up to buy all them old western stuffs, I’d end up spending hours, if not days, or perhaps even months, detracting from continuing to engage the original spark of that imagination by developing the story or idea. When I see something and want to see it in an old western scratched sepia photo print sorta way, I can do it with the tap of a button, allowing me more energy to concentrate on refining the overall vision. This, consequently, allows me to be more creative without the fear of technical gibberish slowing me down.
Essentially, with the quick one step filters we actually have tools to help us express a creative vision that runs quicker and closer to the speed that our mind conjures it up. In many cases, it even gives us ideas that we wouldn’t have had before, conjuring up certain emotions and feelings based on how that image looks based on how we decided to treat it. Our imagination becomes something that stays ‘on’ at all times, allowing us to visualize and create and refine and build upon the wily creative spark when the elusive bugger decides to actually show up. Moreover, in my case, it’s allowed me to retool and re-envision many images I already have, and present them to an entirely new audience who may never have seen them otherwise.
And I think we’re all starting to catch up with these sorts of thoughts. Yes, when these ‘toys’ were first brought to market, it was easy to dismiss them as meaningless and short-lived and a ‘fad’ and all that gobbledegook. But heck, we didn’t know any better because we’ve never quite seen anything like that on a mass consumed scale. But since then, even institutions that have prided for over a century about the quality of their images and media output, like National Geographic and Smithsonian and Getty Images, have adopted Instagram and Twitter accounts, and in National Geographic’s case, even has a section in their digital publication format surrounded by that iconic yellow border, dedicated to the Instagram feeds of their photographers in the field. And some of my favorite professional photographers have embraced the mediums as well. In a short 4 years, Instagram has become an institution in itself – creating celebrity Instagrammers that have led to extremely profitable small businesses based on their feeds, while simultaneously building a rabid fan base large and influential enough to command a billion dollar pricetage by Facebook. And, well, if Facebook bought a toy, well, it was a damn expensive one!
Additionally, the fact that most ‘professional’ and ‘prosumer’ cameras these days are equipped with built-in wifi, like the Samsung NX30 and Samsung NXMini I’ve been using lately as part of the Imagelogger program, allows you to immediately take a high quality photo and transfer it to your mobile device for processing and sharing…an idea that seemed preposterously foreign just 5 years ago.
Anyhow, I suppose what I’m getting at here is that I’m finally beginning to let go of the idea that things need to stay the way they are or the way they’ve ‘been.’ After all, in reality, nothing at all has ever stayed the way it’s ‘been.’ Ever. And heck, who would really want it to!? So if I, as a creative, don’t adapt and embrace the tools (and toys) that are available to us in these insanely exciting days, then, well, I’m just gonna end up left by the wayside, while everyone else has all the fun.
Screw that. I wanna have some fun too!
For more of my madness: Instagram: @wasimofnazareth Twitter: @wasimofnazareth Google+: www.Google.com/+WasimMuklashy Facebook: www.Facebook.com/WasimOfNazareth

July 24, 2014