Tag: NX500

  • 800 Miles. 36 Hours. 17 Frames. Find New Roads From Portland To San Francisco By Camaro.

    800 Miles. 36 Hours. 17 Frames. Find New Roads From Portland To San Francisco By Camaro.

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    So last week was a bizarre week. I got a call last Saturday to see if I wanted to accompany a pair of journalists from Time Magazine’s The Drive website as their videographer in a new 2016 Camaro on a road trip from Portland to San Francisco for their Find New Roads campaign. The thing is, we had 36 hours to cover 800 miles.

    Now, on the one hand, this was insanely exciting as an experience. Not to mention, that Camaro handles quite well in all the conditions we had it in, including at least 200 miles of nausea inducing twists and turns and curves. This is great fun for those in the front seats, especially the driver, but for me in the back seat…eh…I’ve never felt like puking from a car drive before this one.

    And it happened 3 times.

    However, I attribute that to the driver, not the car. He was certainly testing the limits of that beast, and the lack of ‘oh shit’ handles had my ‘oh shits’ unleashed more times than even I felt comfortable with, but judging by the fact that I’m still alive, he knew what he was doing, that’s for sure.

    Now, on the other hand, as a photographer, this was pure and utter torture. We drove through the Redwood National and State Parks (NPS), the Avenue of Giants, Oregon’s insanely gorgeous countryside, the Pacific Coast Highway from Eureka and Humboldt and Mendocino through Fort Bragg, all the way down the coast to San Francisco. It was all insanely gorgeous country, arguably some of the most incredible in the world. But it was literally like being in heaven and then being kidnapped back to purgatory in a blur – a serious tease that would give any of Portland’s legendary strip clubs a run for their money – from golden fall colored vineyards to smoky Oregonian mountains to fall-colored tree-canopied one lane country roads and movie quality s-curves and riverside valleys laden with giant redwoods and legendary pines, to northern California’s pristine lost coast.

    Just about ALL of this has been on my bucket list for a long long long long long time, so I was happy that I’d finally get to do it, HOWEVER, we only got to stop maybe 4 or 5 times, mostly for pee breaks, for a total of about 30-45 minutes through all this, so never got to set up for a single shot. Not one.

    At all.

    In the most beautiful spots of Oregon and California.

    I, along with my cameras, were whimpering loudly and considerably.

    Anyhow, save for some GoPro footage, the video portions were all shot on Samsung NX1 and Samsung NX500, both of which handled wonderfully under all the circumstances.

    Click here for the article on TheDrive.com for the driver’s version of events.

    And here’s a video of my version of what happened:

    As far as stills, figured roll with the punches (and the hairpin twists and turns) and went with the mobile phone for the mobile pictures. Here is my 36 hour trip, from Portland to San Francisco, by Samsung Galaxy Note 5 and edited in Snapseed. It starts with my flight leaving Los Angeles to Portland, and ends with return flight back to Los Angeles from San Francisco.

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  • Dreaming In 4K: My Imagination Leads Me To Hawaii With The Samsung NX500

    Dreaming In 4K: My Imagination Leads Me To Hawaii With The Samsung NX500

    Wasim Muklashy Photography_Samsung NX500_16-50mm S_Hawaii_031415_ SAM_0608_1500px

    So I had this crazy dream last weekend. A dream where I was sent to Hawaii to go whale watching off the shore of Kona with Chris Robinson, the Editor-In-Chief of Outdoor Photographer Magazine. A dream where I found myself taking a helicopter tour over the big island with Chris Gampat, founder of The Phoblographer, marveling over Hi’ilawe Falls, one of the United State’s tallest waterfalls, and where I imagined myself zip-lining through a rainforest canopy of Koa and sycamore trees with Videomaker’s Editor-In-Chief Mike Wilhelm and Big Picture Big Sound’s Editor-In-Chief Chris Boylan.

    Wasim Muklashy Photography_Samsung NX500_Hawaii_031315_ SAM_0390_1500px

    One where I saw myself discussing the personal project of Philip Ryan, an editor of Popular Photography Magazine over a glass of Oban 15, just after a 5-course dinner overlooking the Hawaiian sunset with HD Video Pro’s Editor Neil Matsumoto and Slashgear Executive Editor Chris Davies. In this same dream, I could have sworn I saw myself photographing a luau and discussing handheld photo technique next to a Hawaiian waterfall with Jack Neubart of Shutterbug Magazine just after chimping over images of those very same waterfalls with DP Review’s Magazine Editor Barney Britton.

    I also saw myself meandering through a random Hawaiian village sipping on fresh Kona coffee with Imaging Resource’s Associate Editor William Brawley just after bouncing around the back of a old World War 2 military Pinzgauer Jeep as I went off-roading through a private guava forest with Sound & Picture’s Editor-In-Chief Daron James and Digital Trend’s Photography Editor Les Shu. One where I found myself running around an island with two Samsung Imagelogger comrade-in-arms, Fraction Magazine‘s Editor-In-Chief David Bram and Hawaiian expert and nature photographer Bob Kurtz. A dream in which we had our very own New York PR fashionista posing atop a jetty of lava rock as the sunset light rested upon her face.

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    And on this dream, a talented team of photographers and enthusiasts ready to cater to our every photographic whimsy, handing us various lenses and grips and flashes and batteries like they’re glasses of water, including photography industry legend Jay Kelbley, who apparently personally worked on original Ansel Adams negatives and prints and seemed to be nursing the much touted yet seemingly mythical Samsung 300mm f2.8 lens, and Charles Leone, the man, the myth, the PR legend from Allison & Partners, who has managed to cull together and keep this over-visually-stimulated group of trigger-happy shutterbugs in line throughout the whole thing. Not to mention Anthony Zirfas and Andrew Bieker, a team of technical gurus by our side at every step of the way to make sure all those bits and bytes and circuits and stuffs kept doing what they were supposed to.

    In this dream, I woke up each morning, opened up two sliding glass doors to nothing other than lush Hawaiian gardens with volcano rock paths leading to open cabanas lining a flawless Kona Kilauea beach. All this whilst fondeling a new 4K camera that magically appeared in my hands just as I began to drift away into the REM phase.

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    Basically, this was a dream in which I was completely in my element: hardcore geeking out with photography and imaging nerds in a hardcore playground for photography and imaging nerds: Hawaii.

    The craziest part of the dream? In playing testament to the wonders of modern physics, I somehow…some way…woke up from it with a memory card full of images in a brand new Samsung NX500, essentially a Samsung NX1 in a sexy brown retro-styled body.

    Take THAT Inception!

    Wasim Muklashy Photography_Samsung NX500_16-50mm S_Hawaii_031415_ SAM_1497_1500px

    The images I pulled off that bugger might be some of the first to come from the Samsung NX500. Check ’em in the gallery below. Just be sure not to pinch yourself. And please, for the love of God, don’t pinch me. That part can be very very painful…

    And as an added bonus, here’s a bit of 4K footage shot on the Samsung NX500. Make sure to choose the 4K resolution setting from that little gear symbol icon thingy in the bottom right of the video:

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