Tag: ditchthedslr

  • My First Month With My New Number 1 – The Samsung NX1!

    My First Month With My New Number 1 – The Samsung NX1!

    Wasim Muklashy Photography_Samsung NX1_60mm Macro_121414_ SAM_1016_1800

    This is it. This is the one. I’ve found the one! Actually, the one found me! The Samsung NX1. If you’ve been holding out on investing in the mirrorless market because of your trepidations as far as performance as compared to traditional DSLRs, now’s the time to let go. It’s been exactly a year since Samsung invited me into their Imagelogger program, and in that short year, everything changed. I mean everything. I will admit, at first, it was an excuse to get out and create with new tools and have fun doing it. It started a little over a year ago with the NX300, and every few months, we graduate to a new camera and new lenses. We went to the NXMini, then the NX30, then the NX3000, and with each subsequent step, I find myself using my trusty Nikon gear less and less and less and less. Little did I expect that in a year’s time, they would be taking over my entire photographic arsenal, causing me to all but abandon my Nikon equipment (and once I get a wireless strobe system worked out for this thing for the my architectural work, my bread and butter, that’ll make the transition complete). But here’s a quick account of my first month with this 28 megapixel beast, the Samsung NX1.

    Wasim Muklashy Photography_Sedona_Arizona_Autumn Leaves

    The NX1 showed up at my door just in time for Thanksgiving weekend, which was perfect as my family and I decided to do something a bit different this year, and took a road trip to spend the holiday out in Sedona, Arizona. Not a bad place to properly break in what Outdoor Photographer calls “our choice for the top APS-C mirrorless camera for nature photography” in its December issue, and what Digital Trends is claiming “Our favorite camera of 2014 isn’t a Canon, Nikon or Sony, it’s Samsung’s NX1.”

    The first thing I noticed when I took it out of the box was the build. It felt like a solid piece of machinery, carefully sculpted from a chunk of magnesium alloy. And it was beautiful. As soon as I put my hands on the NX1, I had no problem getting acquainted with the layout and the controls. They’ve definitely done their homework and made this thing as intuitive as humanly possible. The insanely user friendly menu system doesn’t hurt either!! And the fact that this is my first dust and splash proof camera made me very happy as I spend a lot of my time in the outdoors. This thing simply just feels good to hold.

    Wasim-Muklashy-Photography_Samsung-NX1_Body-Views_1

    The second thing I noticed upon my first few shots was the auto-focus. Yes, that comes as no surprise seeing as how it has an ungodly insane amount of autofocus points. I’m not going to use this post to go through all the technical brouhaha, that’s everywhere and anywhere else, but I will say, with a sensor that’s practically covered edge to edge with autofocus points, the results are immediately noticeable. For comparison’s sakes, while the Canon 7D Mark III has 65, the NX1 has over 200. Yup. That’s no typo. 205 to be exact. So yeah…this thing is quick! I will say that when I first used a few of the NX lenses, it did hunt for a few seconds, but timely firmware updates quickly fixed any of those issues. The auto-focus on all the lenses are now smooth like butter and faster than any camera I’ve had to date.

    Wasim Muklashy Photography_Samsung NX1_50-200mm_122914_Topanga Canyon_California_ SAM_1507_1800px

    The third thing I noticed was the color rendering. Spot on! The vibrancy and the warmth and accuracy of what I was capturing as compared to what I was seeing was wonderful. It made using this camera such a joy, giving me the confidence in knowing that I wasn’t going to have to do much post processing to realize my vision. Everything looked the way I wanted it to look and, as any photographer will tell you, there’s no better feeling.

    The fourth thing I noticed was another bit made possible by more of that technical stuffs…the BSI, or back-side illuminated sensor. Basically, because the entire front side of the sensor is free of any obstructions, for the first time in an APS-C sensor camera, the entire face of the sensor is available to collect light. What the heck does this mean? Low noise, and great detail in shadows in your images is what that means. Not to mention being able to shoot in very little light at high ISOs. I mean, I’d cringe whenever I had to push the iso past 1600 or so on my Nikon D7000, hoping in the back of my mind that I renewed my noise-reduction software license, but with this thing, I’m jumping up to iso2500, or even 3000 without even flinching! Not only that, I was truly blown away by its ability to focus in insanely low light situations. The mix of the sensor and a crazy looking auto-focus assist light that is based on patterns that almost look like a bar-code, allowing the camera to better detect contrast, are almost infallible.

    Wasim Muklashy Photography_Samsung NX1_50-200mm_122114_Santa Monica_California_ SAM_1297_1800

    The part of this camera that I haven’t yet fully tested is the highly touted 4k video capabilities. I’ll make another post about that soon as I’m currently working on some videos with it so will have a better grasp on it all. I will say that the few moving images I’ve pulled from this thing, coupled with the focusing system, have me confident enough to be using it as my main camera on an upcoming paid video gig. One thing that really impressed me was the inclusion of both a headphone jack as well as mic jack, something not quite found in most other video-capable DSLR style cameras. And that swivel screen is going to come in handy for those low menacing angles without ending up with a kink in my neck!

    Wasim-Muklashy-Photography_Samsung-NX1_Body-Views_2

    Also worth mentioning is something that Samsung has taken and run with…the wireless connectivity. Their SMART features are incredible. I was able to transfer an image to my phone, edit it, and post it on Facebook, Google+, and Instagram, as well as email the image to my family in the field in Sedona, all within less than 2 minutes. It was crazy. Try that with your DSLR.

    Wasim Muklashy Photography_NX1_50-200mm_Temecula_California_122614_ SAM_1417_1800b

    So I can’t say that when I was invited into the Samsung Imagelogger program, I had any idea this was coming. I thought it’d be a few good cameras and some fun and some new friends and some fresh inspiration. Little did I know I’d be part of a group and working with a company that is innovating beyond all other traditional camera manufacturers. Not only that, but they’re actually listening to us to make their products even better, and, to my complete joy, it was apparent in a recent firmware update that helped back-button focusing photographers transition to the camera seamlessly. We gave our feedback and within less than two weeks, an update was ready. That’s unheard of! Needless to say, Samsung has gone and done it…they’ve accomplished their mission, and got me to Ditch The DSLR. And once I get one of their new Premium S-Series lenses in my hands? Fuggggeeddabbbadittt!

    Ok, so now all the words and things out of the way, here are some of my favorite images from my first month with the

    Samsung NX1

    . And when you finally convince yourself to hit ‘buy’ at Amazon, try to remember to

    use this link

     or the Amazon search box on the right column. And that works for anytime you shop on Amazon, not just for the items described here. It’s no difference to you, but it helps me keep things running on this site to bring content like this to you.

    For some other widgetwadgetstuffs: Instagram: 

    @wasimofnazareth

    Ello: 

    @wasimofnazareth

    Google+: 

    www.Google.com/+WasimMuklashy

  • Happy Holidays! A Few Words And A Few Gifts – My Best Images Of 2014

    Happy Holidays! A Few Words And A Few Gifts – My Best Images Of 2014

    Image asset

    As another year comes to a close and we prepare to spend quality time with the family and friends, I wanted to take a quick short and sweet few seconds to thank every one of you for the support, the warmth, the encouragement, the inspiration, and the all around positive energy you’ve brought into my life over the past 365 days. It’s been truly humbling and everything that has kept me going, encouraging me to get out and make another picture, write another post, keep doing the thing. I can only hope that I’m able to reciprocate even a small part of that. Happy holidays all you beautiful people. Below are a couple of my favorites from the past 12 months. They’re high-enough-resolution versions for your desktops and mobile thingies and whatnots. Hopefully you’ll find one or two that you’ll dig. If so, just right click and save. If not, I’ll try harder next year!!! 2014, not too shabby. Not too shabby at all.

    2015, let’s do this thing!

    Each and every one of these was shot on either the Samsung NX30 or the Samsung NX1 as part of the Imagelogger program and are being provided to you for your own non-commercial personal use under the CC BY-NC 4.0 Creative Commons License.

    For some other stuffthings:
    Instagram: @wasimofnazareth
    Ello: @wasimofnazareth
    Google+: www.Google.com/+WasimMuklashy

  • 5 Black & White Photography Tips I Learned While Taking The Black & White Photography Challenge

    5 Black & White Photography Tips I Learned While Taking The Black & White Photography Challenge

    Wasim Muklashy Photography_Realtime Lapse_Samsung NX3000_Malibu_California

    So I was recently challenged by a fellow Samsung Imagelogger, the talented portrait photographer Jess Anderson, to take the Black & White Photography Challenge. Basically, I had to post 5 black and white images in 5 days. Anyone that knows me or my work knows that color plays an enormous role in the images I choose to make, so this was definitely a bit intimidating. In addition to a few of my favorites from those recent 5 days, what follows are 5 things I learned and experienced in my little black & white journey. One thing that is immediately apparent is that once you lose the luxury of color, your mind shifts, and it has to. It’s not as easy as just hitting the black & white tab in Lightroom or Photoshop or dropping saturation. You can’t make images the way you’ve known and been used to and you are forced to focus on other aspects. The good news is, once the mind-shift happens, a whole new world that you may not have previously paid attention to, pops up into existence. It’s really quite fascinating.

    1. Contrast was HUGE! When you lose the ability to capture color as a main player in an image, you have to look at things completely different, and one of the top factors that can make for a good monochromatic image is contrast. Extreme contrast between shadows and highlights, light areas, dark areas, that’s going to be the main player in the image, no matter the subject. The caveat to add here is that gloomy are also good days to shoot for black and white as well, as the contrast between subjects plays more of a role than the contrast between shadows and highlights. For example, a humanoid dressed in white standing against a dark wall.

    Wasim Muklashy Photography_062614_Samsung NX30_Los Angeles_California_ SAM_5367_1800

    2. Geometry! Pay attention to leading lines and shapes. They both seemed to play a huge role. If you can find lines that stand out, curves that are apparent through the scene, that is optimal. Additionally, keep an eye out for shapes. Squares, rectangles, triangles, circles, they all stand out in monochromatic situations when an eye is denied the ability to look for color.

    Wasim Muklashy Photography_Samsung NX3000_100714_Santa Monica Mountains_California_ SAM_1165_1800

    3. Light, more than ever, is perhaps your most important player here. It’s a fact that the brightest spot in the image is where the eye is naturally drawn to, so light that falls in between columns in a building, creating a striped pattern across someone’s face, or just a single ray of light at the end of a dark alley falling on a person’s face. You get the idea. Watch the light, where it’s going, what it’s doing, and know that mostly nothing in the shadowy areas is going to be the main subject or player in your image. It’s what’s going to be in that light.

    Wasim Muklashy Photography_Samsung NX3000_Agoura Hills_California_ SAM_1281_1800

    4. ISO is of the utmost importance! Definitely try to shoot at the lowest ISO possible. I learned very quickly that when playing in contrast and with several dark areas in an image, noise is MUCH more apparent. Minimize the noise-reduction-plugin rabbit hole by shooting at as low an ISO as you can.

    5. Minimalism can play a great role here. A few of my favorites from those 5 days use a LOT of negative space – the one with the birds and the one of the woman on the cliff edge overlooking the vast Pacific Ocean.

    Wasim Muklashy Photography_062614_Samsung NX30_Los Angeles_California_ SAM_5422_1800

    Bonus Tip: If your camera is capable, shoot in RAW. If you’re used to shooting in JPEG, set it to shoot in RAW+JPEG, but you’ll see how important having that extra RAW flexibility of adjusting shadows and highlights comes into play in post-processing when shooting for black and white. Trust me.

    With that being said, I quite liked the challenge, and I thoroughly enjoyed shooting for black and white, so thank you for that Jess! Don’t be surprised to see me post a few more monochrome images in the future.

    All the images above were taken on mirrorless Samsung NX30 and NX3000 cameras.

    For more of my madness, take your pick:
    Instagram: @wasimofnazareth
    Ello: @wasimofnazareth
    Google+: www.Google.com/+WasimMuklashy

  • The Spirit Of The Mountain Calls Again – Here’re This Year’s Entries!

    The Spirit Of The Mountain Calls Again – Here’re This Year’s Entries!

    Wasim-Muklashy-Photography_Family-Time-and-Pole-Position_Malibu_California_Spirit-of-the-Mountain-National Park Service Contest_1500px

    I can’t believe it’s been a full year since the last one. That photo contest that I was honored to place 2nd and 3rd in last year, the National Park Service sponsored “Spirit Of The Mountain” photo contest? Well, it’s back. I just submitted my two entries, the two you see above, “Family Time” and “Pole Position,” two images taken within the past 12 months in the Santa Monica Mountain Range.

    Spirit of the Mountain Photo Contest_National Park Service_Santa Monica Mountains

    If you happen to find yourself in the area between November 2 and November 23, stop by the Interagency Visitor Center at the King Gillette Ranch. It’s right across the road from Malibu Creek State Park, so make a day of it…trust me, it’s absolutely gorgeous. Oak groves and rock pools and lakes and streams…hard to believe it’s only 35 minutes from Santa Monica and Los Angeles’ Westside.

    Anyhow, if you happen to make it on November 2, that’s the opening reception, and renown photographer Tom Gamache, the man behind the beautiful images in Matthew Jaffe’s “The Santa Monica Mountains – Range On The Edge,” will be there to critique the entries. Also, Gamache has his images currently on exhibition at the same visitor center. That there is worth it alone.

    The images above were taken on Samsung NX300 and NX30 cameras.

    For more of my madness, take your pick:
    Instagram: @wasimofnazareth
    Ello: @wasimofnazareth
    Google+: www.Google.com/+WasimMuklashy

  • Hoorah! The Samsung Imageloggers (Including Moi) Took Over Rangefinder Magazine.

    Hoorah! The Samsung Imageloggers (Including Moi) Took Over Rangefinder Magazine.

    Rangefinder Magazine_Samsung_Imagelogger

    So this Samsung Imagelogger journey has been an extremely unexpected ray of light that just keeps shining brighter as the months go on. In addition to the cameras and gear (as if that wasn’t enough), another huge benefit of this thing is the ridiculous exposure and opportunities we get. Some of us got to go to Photokina on Samsung’s behalf, some of us gave away free NX30s in Times Square a few months ago, some of us had our images used in promotional material and ads, some of us ended up on a safari. Well, this week, some of us had the humble pleasure of taking over a full special issue of Rangefinder Magazine, a pretty influential magazine in the photography industry. It’s the official magazine of WPPI (Wedding & Portrait Photographers International) and one that is part of the The Photo Group network, the same group that puts on Photo Plus Expo each year in New York City (coming later this month coincidentally…). So here’s a digital version of the issue: http://tinyurl.com/mosgsaq

    I won’t tell you what page I’m on to not-so-sneakily force you to flip through these other incredible photographer’s work.

    Check out the feature on Laura Winslow and how she uses photography to document her children’s lives – those sunny funny bright images are impossible not to love.

    Check out Rinzi Ruiz and how and why he uses his cameras to produce some of the most striking fine-art street photography in today’s modern landscape.

    Check out husband and wife team Tim and Staci Landis’ beautifully unconventional pairing and the incredible photographic journey it has led them upon.

    Check out how prolific photographer and host of the Candid Frame Podcast, Ibarionex Perello, used the compact nature of a mirrorless system to intimately capture a portion of the fantasy inducing Eiffel Tower standing in stark contrast to an impromptu political protest in Paris.

    And finally, you’ll find my image “Family Time,” and the story behind it in there.

    How they figured I should be squashed between these people, I’ll never know…but I’ll take it! Anyhow, it’s an incredible honor and I’m completely and utterly humbled to be amongst such an insanely inspiring group of people and can’t wait to see what the next year brings.

    SAM_0341-Edit-2_2400sfw

    In the meantime, if you guys are planning on getting a new camera, call me crazy (I would have too a year ago today), but I can’t say enough about these Samsung cameras. Pretty much every image you’ve seen me post here or Google Plus or Instagram or Twitter since last November has been on one of their offerings, and quite honestly, it’s undoubtedly been the biggest year of growth for me in terms of photography.

    The NX300

    The NX30

    The NXMini

    The NX3000

    and coming soon (but not soon enough hot damnit!)…the NX1:

    Ok then, go shoot some stuff!

    For more of my madness, take your pick:
    Instagram: @wasimofnazareth
    Ello: @wasimofnazareth
    Twitter: @wasimofnazareth
    Google+: www.Google.com/+WasimMuklashy
    Facebook: www.Facebook.com/WasimOfNazareth

  • A Spontaneous Excursion Up Pacific Coast Highway – Part 4: From Big Sur To Barbeque

    A Spontaneous Excursion Up Pacific Coast Highway – Part 4: From Big Sur To Barbeque

    Big Sur California Samsung NX3000formatoriginal

    I woke up this morning a bit ragged. Today it was much harder to open the eyes, due in no small part to the fact that I was planning on making the drive back from Big Sur to Los Angeles. As I was unzipping my tent and cursing under my breath that I couldn’t at least indulge in a cup of coffee on my final morning here due to the fire ban, there comes my aunt, as if on cue, straight out of the bushes at the other end of the campground, holding bright sunny fresh to-go cups of coffee! Boom!

    She had made her way into town to come back and make our day! I took it as a sign.

    There was no way I was leaving today.

    So once again, with coffee in hand, I marched my gotcha back to the Andrew Molera State Beach iron ranger at the entrance and paid for another night, the same way I have the last two days. Silly me thinking there was ever a chance I was leaving.

    Today’s plan was to hit up Pfeiffer Beach (not to be confused with Pfeiffer Big Sur State Park or the infinitely more popular Julia Pfieffer Burns State Park, home of popular McWay Falls. “Yeah, there are a lot of Pfeiffers” the ranger told us as he tried to clear up our confusion). We winded our our way down Sycamore Canyon Road, parked in the lot, and meandered through the shady sandy Cyprus Grove to the stomping grounds of the famous Keyhole Rock.

    While the scenery was as spectacular as I ever remembered it, it wasn’t exactly kid friendly at the moment. The surf was quite aggressive and the little ones had their hearts set on the tide pools at Point Lobos, which they hadn’t really stopped talking about since we left there the day before. So after about an hour or so, we decided to pack it up and head on up. I’d been here on many occasions before, and oddly enough, while I thought I’d personally take it a bit harder that we were leaving Pfeiffer Beach, I was surprised to find myself completely ok with it. New frontiers. New memories. However, what I couldn’t bring myself to do was take off without spending at least a few moments alone with a camera and Keyhole Rock. So they let me indulge for a bit, and then off we went.

    Wasim Muklashy Photography_Big Sur_California_Samsung NX30_ SAM_2437_1800

    Wasim Muklashy Photography_Big Sur_California_Samsung NX30_ SAM_2424_1800

    Since everyone was pretty hungry, and Nepenthe was soooo close…we had to do it!! If you haven’t been to Nepenthe in Big Sur, it consists of two open-air restaurants and the Phoenix gift shop, all of which have some of the most breath-taking birds-eye views of the Big Sur coastline. At the very least, stop for a drink. And if you can’t get a table at the top level restaurant, do NOT hesitate to walk one level below to Cafe Kevah. The views are even arguably better, less obstructed, and the food just as good (and cheaper…).

    After lunch, it was time to head back north on Pacific Coast Highway, back to Point Lobos State Reserve. There was a whole cliffside we had yet to explore, so while the kids found their way back to the familiar tide pools with the aunt and cousin, myself and Stephen Chiang decided to explore the path along bluff and we were exposed to a slice of this park and coastline we weren’t privy to the first time we were here a few days ago. And thank GOD we did. This could easily be one of the top 3 highlights of the trip.

    Towards the southernmost reaches of the park, along the coast, lies China Cove, apparently, as we found out quickly, a very popular attraction, for as we walked up the steps and turned the corner to reveal it, there stood 3 artists, each in front of their respective easels, each quietly offering their interpretation of the gorgeous scene that stood in front of them.

    It was mesmerizing.

    Wasim Muklashy Photography_Big Sur_California_Samsung_NX30_ SAM_2532_1800

    I couldn’t help myself but to sit and watch and, of course, eventually ask them if I could photograph them while they worked. Karin Leonard, Kenneth Cadwallader, and Michele de Braganca. After a little while, we decided to continue on a bit further, and after exploring the final reaches of the trail, turned back, and found our way back to China Cove. While the other two painters had packed up and left, one, Karin Leonard, remained. And we remained with her. As one of my cousin’s children was an artist, Stephen brought her back, where she sat with her sketchpad on the bench behind Karin, each of them offering their respective perceptions in tandem. A beautiful moment.

    Life making art watching art.

    As the sun set, and we bid our farewells, it was time, yet again, to stuff our faces.

    We were within miles of Carmel-By-The-Sea (the small cobblestone seaside hamlet that Clint Eastwood once acted mayor to), and even though we were stinky and smelly and beachy and 3-days-of-camping-y, and Carmel is quite a ‘high-flootin’ town as my cousin so aptly put it, we said screw it, why not! We’re gonna make it ours tonight. So we did. We marched our flip-floppin’ sandy feet on in to Les St. Tropez, authoritatively commanddeered the center seating arrangement, and treated ourselves to some French cuisine, pasta, and arugula garnished pizzas before sleepily heading on back to camp for our final evening (this time for real…).

    We. Crashed. Immediately.

    SAMSUNG CAMERA PICTURES

    The next morning, we woke up, packed up, and, aching to squeeze as many minutes as possible out of the trip, stopped for a final view at Julia Pfeiffer Burns State Park, where the McWay Falls trickled down the California coastal hillside, making it’s way from the furthest reaches of the Redwoods in the inland forests and finding respite in the great Pacific.

    It was time to get back into the cars and head on back down for not only did we have a lot of ground to cover, but we wanted to go full circle and make one more stop back where this all started.

    Morro Bay State Park.

    One last look at the rock.

    One last frolic along the bay.

    One last stroll on the wooden footpath alongside the estuary.

    We reluctantly hit the road, and as the sun began to set, found ourselves at Los Alamos, California, a sleepy western town about 5 hours down the coast. It was to be our last supper together, and we decided to do it in style. BARBEQUE!! We laughed, we joked, we indulged, we broke bread, we gorged on Charlie’s Place delicious special-secret-homemade barbecue sauce and milk shakes. Yup, milk shakes.

    Wasim Muklashy Photography_Big Sur_California_Samsung NX3000_ SAM_0976_1800

    And, finally, we declared this trip a complete success.

    Thanks so much for following along our journey. Truly hope you enjoyed it. And if you haven’t already, wholeheartedly hope you get to make it yourself one day.

    Misty-Afternoon-China-Cove_Karin-Leonard

    Below are the images from this, the final part of the trip, all of which were taken on Samsung NX3000 and NX30 mirrorless cameras. And in case you missed the first three parts of the story:

    Part 1: Morro BayPart 2: Big SurPart 3: More Big Sur

    And to purchase a print, or the original painting, of “Misty Afternoon China Cove,” the stunning final product of Karin Leonard’s efforts that day, click here to check it out.

    For more of my madness, including additional images and edits from this very trip: Instagram: @wasimofnazareth Twitter: @wasimofnazareth Google+: www.Google.com/+WasimMuklashy Facebook: www.Facebook.com/WasimOfNazareth

    And last but certainly not least, be sure to find and follow Stephen Chiang at Instagram.com/stephenrx7. I’m telling you, his shots are great and the kids are insanely adorable.

  • A Spontaneous Excursion Up Pacific Coast Highway – Part 3: More Big Sur

    A Spontaneous Excursion Up Pacific Coast Highway – Part 3: More Big Sur

    Big Sur California Part3 07formatoriginal

    The next few days in Big Sur were nothing short of magical. We woke up the following morning, our first in Big Sur, and figured the most logical thing to do would be to hit the beach. And, well, who are we to argue logic? The universe led us down the 3/4 or so mile hiking path from the campsite, through a covered canopy of trees that straddles the Big Sur River, all the way down to the quaint cove that makes up Andrew Molera State Beach. We spent several hours here sunning, swimming, playing, fighting off the seagulls that boldly flew off with half our food, and watching the surfers slowly but surely converge at Molera Point as they anticipated the swells from Hurricane Marie, the category 4 that had hit Baja California earlier that day, to come ashore any moment. And boy did they! We watched surfer after surfer catch wave after wave that ranged from 3 feet breaks all the way up to what seemed like at least 8 or 10 feet for the more advanced.

    Big Sur California Part3 03formatoriginal

    We headed back into camp mid-afternoon, some rested, some napped, some ate. Myself and Stephen, we had USB battery bricks and phones to charge, and some business to handle, so we headed into town (and when I say town, I say this very generously, for ‘town’ consists of a grocery store, a restaurant, and a gas station). We took a seat at an outdoor table at the Big Sur River Inn, had some fresh coffee, and got down to business. We charged up our power bricks, and headed back to Molera, hiked back into camp just in time for a campfire and dinner. And that’s when we got a reality check from this fantasy world.

    The rangers came up to us to inform us that as of 3 hours ago, the higher ups have outright banned campfires and even camp stoves until further notice. The reason? Drought. The California drought has gotten so bad and so serious, and the land so brittle and dry, that not only did they had to ban campfires and camp stoves 3 days before the famously busy Labor Day weekend, but they also increased the fine from $500 to $5000 to hammer home that this was no joke. If this state doesn’t get some much needed precipitation relief in the coming months, the ban could very well go through all of next year.

    In any case, we figured since it was our last campfire, we’d go out with a bang…”S’MORESSSS!!”

    Big Sur California Part3 16formatoriginal

    The following day, we decided to head up the coast to Point Lobos State Reserve. In all the years of my coming to Big Sur, I’ve never stepped foot in here, and I was stupid not to. This place was incredible. We walked through a Cypress grove, we went geocaching at the old whaler’s cabin, and we hiked around the point, soaking in views of the famous coast. Perhaps the highlight of this part was the tide pools that dotted the rugged coastline. The closer we got to them, the more magical they became…we saw regular crabs, hermit crabs, a dizzying myriad of shells and sea urchins. It was beautiful.

    As we sensed the sun begin to set, we figured it’d be a good time to head back to camp, eat some dinner and perhaps try to catch the sunset on the coast back at our beach, Andrew Molera State Beach. We were able to get back in time to feed the belly, but, the clouds started rolling in, so unfortunately, our sunset that evening was hidden from view. Which was alright. We marinated around the lantern, told some stories, had some scotch, and called it a night…figured since I was planning on leaving the next morning, I should get a good night’s sleep for the long drive back.

    Below are the images from this part of the trip, all of which were taken on Samsung NX3000 and NX30 mirrorless cameras.

    Click here for the final installment of this trip, Part 4: From Big Sur To Barbeque.

    And if you want to start from the beginning, click here for Part 1: Morro Bay

    And for more of my madness, including additional images and edits from this very trip: Instagram: @wasimofnazareth Twitter: @wasimofnazareth Google+: www.Google.com/+WasimMuklashy Facebook: www.Facebook.com/WasimOfNazareth

  • A Monday Motivational Kick In The Yahoo – September 22, 2014

    A Monday Motivational Kick In The Yahoo – September 22, 2014

    Wasim-Muklashy-Photography_Big-Sur_California_Monday-Motivational_September-22

    “A Smooth Sea Never Made A Skillful Sailor.” -English Proverb
    **
    There it is – This Week’s Motivational Kick In The Yahoo!
    **
    Ahoy!

  • A Monday Motivational Kick In The Yahoo – September 15, 2014

    A Monday Motivational Kick In The Yahoo – September 15, 2014

    Wasim-Muklashy-Photography_Big-Sur_California_Monday-Motivational_September-15

    “Be not afraid of growing slowly; be afraid only of standing still.” -Chinese Proverb
    **
    There it is – This Week’s Motivational Kick In The Yahoo!
    **
    Move!

  • A Spontaneous Excursion Up Pacific Coast Highway – Part 2: Big Sur

    A Spontaneous Excursion Up Pacific Coast Highway – Part 2: Big Sur

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    So after the kayak melee in Morro Bay, it was time for Stephen Chiang, the photographer I was assisting, and I to drive up north to San Francisco for the job the next morning. Put two photographers in a car, give them the choice between A. a straight and direct, but boring route, and B. a windy, curvy, 2-hours-longer scenic route through Big Sur, and, well, you can guess which one they’re going to choose 11 times out of 10. So up the curvy Pacific Coast Highway we went, absolutely one of the most beautiful and scenic drives in the country. As we made our way through Cayucos, then Cambria, we stopped for lunch before PCH opened up along the Pacific Ocean for good from the lowlands of San Simeon (best known for Hearst Castle), all the way up the jagged picture-perfect sparsely populated Central California coastline to and through the majesty that is Big Sur. We pulled over and admired for a while, excited at the fact that just 24 hours from now, we’ll be back here to spend the rest of the week making the tough decisions of frolicking around the grand vistas overlooking the Pacific, or splashing around in this, the largest of the world’s 5 oceans.

    But first, we had the task of finding dinner and a place to rest our heads for the night in San Francisco for the job in the morning, so we crossed over the famous Bixby bridge, rolled past Monterey and Carmel, made a pit stop in San Jose for my first experience with Yakitori at Gaku Yakitori in San Jose (I ate sea urchin!!! Anthony Bourdain would be proud!). There we used Airbnb.com, found ourselves a place to stay for the night, so after dinner, rolled into San Francisco around midnight. We woke up the next morning to fresh coffee from our host, who just so happened to be the photo editor for Via Magazine, an edition of the Automobile Club publications covering the western states, so, well, naturally, we all immediately clicked. (BTW kind Airbnb host, if you’re reading this, I have a feeling you’ll be hearing from us…)

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    The work day went suspiciously smoothly. It was a corporate headshot job, and we were in by 10am, out by 3pm. We didn’t even bother to stay in the city, opting to immediately get out, back along the coast, stopped in Pacifica at a roadside fresh produce stand for some snacks and supplies, and proceeded on down to Big Sur, where we were to meet my cousin, my aunt, and the family for dinner at Andrew Molera State Beach campground, our home for the next few days.

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    Luck would so have it (yes, all luck, no planning or rushing to break down the equipment and get out of the city by a certain hour of course), that we made it back to the infamous Bixby Bridge in time to find a few vantage points to get some solid sunset shots. What are the chances?

    We pulled along the side of the road at Rocky Point Restaurant, managed to get a few good shots and angles, not a difficult task in a location like this, but something still told us that we should continue on. So we did, and about a mile further down the PCH, we found a small turnout to park alongside what seemed to be a candidate for a perfect overlook. We took a trail along the bluff (extremely careful to avoid the poison oak that seemed to be in full bloom), which ended at the edge of an abandoned property that we didn’t realize until we were already on it. The boarded up house and remains of an old firepit gave it away. But when we turned around, there was no way we were backing off right away.

    This.

    View.

    Was.

    Perfect.

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    We spent the next 15 to 20 minutes capturing the last rays of sunlight over the Pacific and shining onto the coastline hugging the Bixby Bridge, turned towards each other with a knowing “that’s why we do this” smile, and walked back to the car.

    Hungry.

    We finally pulled up to Andrew Molera State Park, hiked through a 1/2 mile tree canopy into our campsite where the rest of the family was waiting, burgers already grilling, beers already poppin,’ and hence began our stay in Big Sur.

    Check out the gallery of images from that day and evening below, taken on Samsung NX3000 and NX30 mirrorless cameras.

    Click here for the next part, Part 3: More Big Sur

    And if you missed it, here’s Part 1: Morro Bay

    And for more of my madness, including additional images and edits from this very trip:
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