Tips
Independence Day is upon us!! A day when we can celebrate the hard-fought achievements of our forefathers by, well, doing what we do best…git your gluttony on (as respectful as possible of course…). Here are 5 quick photography tips for your 4th of July barbecue:
Read MoreIn Part 1, we explained the process of getting the proper exposures on location for architecture and real estate photography. Here in part 2, we explain how to post-process these exposures.
Now that you have your exposures as described in Part 1, pull them into Adobe Lightroom. Use the first three bracketed exposures, and make any adjustments you see fit. I usually pull the highlights down on the overexposed exposure, and sometimes I pull the shadows up in the underexposed frame.
Read MoreIf you’ve shot architecture or real estate photography, you already know the rub…exposing for interiors as well as exteriors! It’s a finicky art all in itself. Living in Los Angeles, sandwiched in my little hippie canyon between Malibu, Pacific Palisades, and the Hollywood Hills, I’ve had the opportunity to shoot some very high-end real estate for some very high-end and particular clients, and through that process, I’ve learned some incredibly helpful methods to help pull off results that even surprised me!
Read MoreSo as many of you know, I embarked on a nature and travel photography trip this past Spring to the Pacific Northwest, and I’ve shared all those pictures here and all my social outlets. This so happened to be my first photo trip in which I left the DSLR behind and employed mirrorless cameras exclusively, namely, the Samsung NX30. While this post will forgo all the reasons behind that (click here if you want to see those posts of that journey), now that the dust has settled and some time has passed, I’ve been able to reflect a bit on the incredible experience, which has proven to be a personal milestone in many ways in my photographic journey. So I figured I’d take this opportunity to share with you a few of the lessons I learned on that trip:
Read MoreIt didn’t make sense at first. Use the AE button on the back of the camera for focusing? How is that supposed to be easier and/or better than the traditional method of pressing the shutter halfway down? I mean, that’s what I know, that’s what I’ve grown to know, that’s what’s normal! Is this an elitist purist thing? Or is this real? About a year ago, I decided to truly dig deeper into the idea behind back button focus and, well, like a classic case of neuro-plasticity, over the next 90 days, I had inadvertently rewired my brain to wonder the exact opposite of what I was wondering when I started this little experiment…how did I go this long without it?
Read MoreBeing in Southern California, we get a lot of wonderful light during the final hours of most days, so naturally, a lot of my photography happens during that time. Consequently, I find myself in position to photograph sunsets a lot, many of which can prove to be quite spectacular, and one of my favorite effects is to catch sun stars (also called starbursts) and silhouettes during this time. I’ve been asked more than a few times what my methods for sunset photography are, so figured I’d share a few tips to help you catch those perfect sun shots during your summer adventures. Click past the break here to see the tips.
Read MoreSo if you’ve logged on lately, you might have noticed, but I wanted to wait until everything was ported over from one to the other before introducing my new website. I've been working hard the past several weeks getting this sucker in shape and I think it’s ready! You’ll notice that the homepage no longer begins with my portfolio, but rather with the blogroll, so that way you’ll see the latest, and freshest content whenever you log on. Additionally, I’ve created two categories for the blog posts. One, 'Journeys,’ will continue to focus on my personal photographic journeys and adventures that you've grown used to, the other, ‘Lessons' will focus on tips and tricks and lessons learned through my photographic (hopefully) growth.
Read MoreSo I had a pretty privileged experience about a week ago. A man I do a lot of work for over the past several years, Frank Fitzpatrick, organized and hosted and produced “Education: Disrupted” at Pepperdine University, an event that may have laid the groundwork for a meaningful shift in the paradigm of how education is approached. It’s no secret that the current education system has its fair share of challenges, and methods of keeping students interested, engaged, and motivated seem to have become ever-elusive memories of a not-so-distant-yet-forever-ago past. Having already introduced his Why:Music interactive education initiative to everyone from Perimeter Institute to Singularity University and TEDx, Fitzpatrick seemed ready to stir some new questions into the mix, likely one of his big motivators in producing this thing.
Read MoreSo I know you've probably already seen enough of this set of images, but, well, too bad! Ha! An image from this series keeps getting around one way or another - this time absolutely humbling me by showing up on the homepage for Photofocus.com as this week's 'Featured Image.' This is Scott Bourne, Richard Harrington, Melissa Niu and company! It's madness!
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When you feel something, your mind and body are trying to tell you something. Listen. Don’t ignore. Today was just another reminder of that basic instinct that we so often and easily seem to lose touch with in our hyper-‘connected’ day and age. There were a few things going on that were weighing heavy a bit on my mind, and something just kept tugging at me saying, forget everything you're doing right now and just go. Doesn't matter where or what, just go. Get out of here.
Go!
But I had work to do, and I was on the clock, and so I kept pushing back..."No, no, you can't just go. What are you thinking?”
That practical, responsible nonsense went on for about an hour before I was too exhausted to fight it anymore and just gave in, figuring, if anything, at least it would shut my brain up for a minute. So I grabbed the new NX300 that Samsung put in my hands, jumped in my car, and headed the 12 miles through the canyon down to the coast.
I pulled off to the side of the road at Topanga Beach, stepped outside, and sat by the ocean for a while, watching an older couple try their luck with their fishing lines. My brain tried telling me I’m supposed to be making pictures, but, well, I wasn't feeling it. I know I could have forced it, especially as one of them caught a fish and they were taking iPhone pictures of their prize together, but still, I just figured right now, I'm better off just marinating in this moment with no purpose other than to take it in and enjoy it. And that was that.
After about 15 minutes, I figured the sun's about to set in an hour, I should find a nice place to sit down and soak it in, so I headed up Pacific Coast Highway away from the city, and just as the sun began making it's decent over the horizon, I found myself in front of Pepperdine University, which, if you've ever seen it, sits right on a gorgeous grassy knoll overlooking the Pacific. As I was pulling up, a group of cars started to slow down and the first thought I had (and if you’re from LA you’ll immediately understand) was “Damnit, of course. Traffic!” So I looked up to see how far ahead of me it stretched, and, well, I didn’t find traffic. What I found caused me to pull over, throw park, grab my camera, and jump out of my car.
If I kept working, I would have never caught this. If I stayed and forced shots with the fisherman and woman, I would have never caught this. If I didn’t decide to give in to that tug at the gut, I would have never caught this. I simply just let go and succumbed to my feelings, and 15 miles up the coast, this is what they led me to - some of my favorite images from the past couple of months.
All images were shot on the Samsung NX300.
For more of my madness: Instagram: @wasimofnazareth Twitter: @wasimofnazareth Google+: www.Google.com/+WasimMuklashy Facebook: www.Facebook.com/WasimOfNazareth
It might be a little bizarre that I was booked to shoot three professional NFL football players from the San Francisco 49ers and Oakland Raiders, yet my two favorite shots of the job had absolutely nothing to do with the job itself.
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So yesterday I posted about my whirlwind experiences shooting a few well-known personalities and their closets. Today I'm posting about me.
Through the whole experience shooting Kyle Williams and Rod Streater in San Francisco, I also knew it was going to be an exercise in something I've been focusing on making a priority over the past few years…whether it's for a few minutes, a few hours, or a few days - meditation, a hike, stopping for a few deep breaths, whatever - making it a point to always find time for myself. I've so often times in the past lost vision of why I was doing what I was doing…the passion…and it's been nothing sort of soul-murder, leading to derailment of my original vision and purpose and intended paths, some that have lasted for years. For this reason, it's become a priority to always make sure to do something to try to keep that vision at the forefront. Especially in the midst of running from one house to another to another location to another and between cancellations and reschedulings and all the psychotica that comes with being in the midst of a commercial shoot along with portrait and closet shoots for 4 professional athletes in 3 days, where it can be easy to lose track of why you love doing this to begin with. So on the final evening of a 3 day excursion to San Francisco, I took a couple midnight hours to hang out on San Francisco's Embarcadero overlooking the new Bay Bridge light show. Snapped away and came away with a couple that satisfied the soul.
But even past this, I decided to extend the 'me time' through the next day. Figured Jennifer from WhoHasItApp could use a break from her devices that she's insanely married to (iPad, iPhone, even a Blackberry, all at once) and since I had yet to make my yearly excursion to Big Sur along the coast (and knew there was no reception there), I made up my mind that I'd force one upon her and we'd make our way back to Lalaland via Pacific Coast Highway. And, well, that's never a bad idea. Sure, it adds an extra few hours to the trip, but a few hours is nothing compared to the benefits it provides the mind.
We got to drive through the redwoods, see the waves crash against the coastline from 2000-foot cliffside vantage points that most see only in pictures and films, the elephant seals at San Simeon were out basking in full force, stopped for some insanely mouth-watering barbeque at Alex's in Pismo Beach, which I'd HIGHLY recommend...it was perfect. Well, almost. While I'd love to say it was all good, there was a moment when the government shutdown madness truly got personal, and that's when I slowed down to show Jennifer the best campsite in California...and we ran across this:
Again, the silver lining...even Mama Nature needs her downtime.
Anyhow, below is a gallery of some of those 'myself time' images. Hope you enjoy.
Ok then, so the final episodes of the "3 National Parks, 3 States, 2 Weeks, 1 Crap Bag" series coming soon…I promise…Thanks for waiting, thanks for reading, and thanks so much for all the wonderful comments that have accompanied these posts both here and on my Google Plus page. It's been a fantastic experience so far and you all have a huge hand in pushing me to keep on keeping on. I only hope that some of my posts resonate enough to help you do the same.
I hit a new milestone with my photography last week…I know this might not sound a like a big deal to most, but to me, it was huge:
I made my first proper art print from one of my digital images.
When I attended Scott Kelby's "Shoot Like A Pro" seminar here in Los Angeles a few months back, one of the perks was that we got a coupon code for a free 16x20 print from one of the sponsors, Mpix, on some madness they call Fuji Pearl photo paper. Regardless, I couldn't bring myself to do it.
Despite the fact that I took photography in high school, my father taught it, we had a darkroom at the school that we'd use on the weekends, he had a darkroom at home that I wasn't allowed to touch, and hell, my first science fair entry was a shoebox pinhole camera, and from all of this, I spent a good chunk of time developing film and photos, all in black in white, none of which I still have before taking off to college where my time got eaten up by…ahem…studying, I held off for a while because I was nervous about how it would come out - perhaps dealing me a blow if it came back and thought to myself 'this is shite!' I had made 8x10s at Costco and they actually turned out fairly well (especially considering the price at $2 per), but twice the size? Never. Will the pixels and my processing hold up?
But I finally suppressed the nerves to a level low enough and for long enough to upload the image and hit 'checkout.' And boy am I glad I did! I got the thing delivered to my door in a few days, opened it and just stared. Smiling. Immediately hit up target and grabbed me a frame for the sucker. I've been so caught up in devices and screens and i this's and i thats strewn about from our pockets to our coffee tables to our desks, I forgot what it's like to hold up a tangible physical print. It felt great. And hanging it up on the wall felt good. Real good. Was actually a nice little confidence boost.
I don't need to say it, but it's pretty apparent photography has come quite a long way since them there high school daze. As has the paper. This stuff was slick, shiny, and elegant. I purposely chose an image (that you've all seen here before) that i thought would best do that sort of feel justice - my 'Slice of Yosemite Layer Cake', an image that has 3 starkly contrasting layers and textures; a background of slick snowy mountainside, a foreground comprised of a set of silhouetted pine trees, and a layer of rolling clouds that just hovered right in between them. Proved the perfect centerpiece for a few other 8x10s from that infamous winter Yosemite trip…
Onward and upwards!! Next stop...canvas?
So last week I was hired to photograph a Scion FRS that was completely and insanely modified by Megan Racing's Race Division. The day started with some closeup detail images from underneath the car of the various modifications they performed for a presentation that the company would be doing to show off what they did with this thing. In effect, they turned an already sweet looking ride into a growling piece of art that I'd be afraid to let out of it's cage.
But once we finished the close-ups, it was time to get the entire sucker, so they brought it down off the lift and unleashed it into the parking lot. It was like letting a lion out of it's cage. While they wouldn't let me take the POV shots I jokingly (not really) suggested, they did let me position it around the buildings and lot adjacent to the shop, so I got to work. The time of day was still about an hour away from optimal, but I had to work with what we had, so just went for it, gambling on the game of numbers, if I shot enough, I was bound to come away with a few keepers. This was another instance in which my Eye-Fi card came in handy...that sucker has yet to leave slot two!
Anyhow, I definitely came away with what I thought were some solid keepers, but what I didn't expect was that the shot I ended up liking the best was one that, at the time, was a mistake - a painfully obviously underexposed image as I was trying to compensate for a very bright sky, but I went too far on the right side of the dial.
Yet, for some reason, I didn't delete it.
When I got to my laptop, and loaded them into Lightroom and started starring and flagging the obvious ones, my eye kept glancing over, but eventually passing by one particular shot. "But it was almost a completely solid black frame," I kept telling myself. Regardless, every time I scrolled thought the images, I'd instinctively slow down when I got to that image. So finally, after about 20 minutes of this, I said screw it, I'm gonna play with it. If anything, I can get it out of my system.
So I opened the Develop pane in Lightroom, viewed it at 100%, and RIGHT AWAY knew exactly why I kept subconsciously coming back to it - the highlights. The cars contours were just about perfectly highlighted from a backlit sun. So I decided that's exactly what I'd focused on. Ironically enough, I ended up further under exposing an already underexposed image...I figured it was the mysterious highlights that were drawing me to it, so why not magnify the effect of those very highlights.
That's what I did. I brought up the highlights, I emphasized the shadows, and that created an beautiful contrast with the sky and the silhouette of the background and surroundings - skyscraper stacks of discarded wooden shipping palates.
Yes, the car is insane!! Absolutely. And I'm sure Megan Racing was none too happy that my featured image on a car that they spent so much time and money and energy on was an image where, well, you couldn't see the car, but if you're like me, after seeing this image, you just want to see more, whereas if the car was shown clearly right off the bat, you would have already absorbed the payoff!!
The moral of the story? Make more mistakes!
Without any further adieu, here are the finals:
In a strange sense, I feel like I'm preparing for something. I spend a lot of time alone, very little social interaction - isolated from the constant deluge of stimulation and media saturation. I'm left alone in my thoughts, in my being.
And I do it to myself
Read MoreSo it was one of those days, the thought process just goes into overdrive and begins to cloud any reasoning and logic. The past comes up, the future comes up, all of the baggage surrounding both start to rear their nosy and intrusive little lizard heads. Sometimes this would last for hours, then days, then weeks, but more and more you begin to see that there's a way out…well, at least temporarily.
You recognize it.
You realize it.
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So was a pretty good last few days. Did the whole Scott Kelby's "Shoot Like A Pro" workshop/seminar here in Los Angeles on Friday, and I've got two thoughts:
One, he's the MAN! I learn more from a one day session with him than I can on my own in months. He simplifies things so much to the point where you start asking yourself, why the hell did I ever think that was complicated to begin with? I had a great experience at his Photoshop seminar last Winter, was hoping for the same with this one, and I got it.
Two, WHY DIDN'T THE METRO RAIL EXIST WHEN I LIVED IN LOS ANGELES!???? Damn…parked my car in Culver City, made it down to the Convention Center in 20 minutes on the train, and just as easy on the way out. No traffic, no rush hour, no gas, no driving, no cell phone ticket, no 20 dollar parking, no hassle. Frickin' insane. Right in my stomping grounds…L.A. almost felt like a (gasp!) real city!
Anyhow, after spending 8 hours in the workshop and trying to absorb as much as I could, I figured I'd try out some of the new techniques the next day. Had an opportunity to grab a Nikon 18-200 for SUPER cheap from someone in San Diego that didn't know what they were doing, so had my cousin pick it up, who lives down there, and figured I'd make the journey down on Saturday to pick it up, hang with the family a bit, and play with the new bugger. Love it!!!! And as if that wasn't enough, my cousin's husband is a working professional photographer, so he was able to provide me with many inspirational and valuable tips as well.
So here's a bit of what happened around the cousin's Lakeside property using a mix of Scott Kelby techniques/ideas and my cousin's husband's wisdom, all rolled up into one neat new remove-everything-else-from-my-camera-bag lens, the Nikon 18-200 VR.
TWICE IN ONE WEEK! This is crazy exciting for me on the inside...so earlier in the week one of my favorite photography podcasts picked one of my images to critique. That was my oak tree image that I was using to bring attention to the non-native borer that is threatening to rid california of all of its oaks. It was featured on the April 1 episode of the Digital Photo Experience podcast and that blew my mind.
Well, earlier today, I was sitting here editing photos for work, listening to another of my favorite photography podcasts, this one is the April 5 episode of Frederick Van Johnson's 'This Week In Photo,' and all of a sudden, at about the 51:04 mark, I hear my name (butchered, but they gave it a good effort) when they announce their first ever photo critique on the show. They picked my image 'a slice of yosemite layer cake,'
Read MoreOk...so this is not my usual forte, but when this shows up in your yard, how can you not snap a few (hundred). Enjoy the slideshow...don't say I didn't warn you...
It's strange how my life has turned into a series of photo taking and processing. Sure, not getting paid for all of it, so can't really call myself a true professional, but all of my income is coming from this stuff, which is actually kind of…eh…neat. For the first time in my life, I'm actually feeling like I'm doing something I'm supposed to be doing. 36 hot damn years old and now I'm figuring this out?
Anyway, woke up with the intention of spending all day today working on editing the Megan Racing videos and processing those photographs so I can get a paycheck before rent-time creeps up in a hurry, but remembered that my docent project is due tomorrow at the final interpretation I'm required to go to as a new Malibu Creek State Park docent.
Yeah, started the process over a year ago as a means of staying outdoors and being involved in the California Park system after my attempts at becoming a park ranger two years ago were thwarted by…well…a story we'll get into at a later date, but as part of my requirement, I was supposed to create a project for myself to help better the park and docent program and I had a year to create it and am supposed to present it tomorrow at the Spring Interpretation.
Well, I tasked myself with the project of taking new fresh photos that we can present in the Visitor Center and creating a Google Plus page to help bring the docent system into the internet age to help attract a fresh crop of park-goers and outdoor enthusiasts. Unfortunately, it wasn't until I woke up this morning that I remembered this was due tomorrow. I spent an hour trying to convince myself that it wasn't, even though I knew it was, and so replaced my train of thought from trying to think of excuses, to getting at it.
Luckily, I have spent a lot of time in the park over the past year photographing all over, so I had the files, just had to get through them and process the better of the bunch, so that's what happened today. Got it all together, even got a Google Plus page started (add us to your circles: gplus.to/mcspdocents), and am now uploading the photos to an iPad to present when my turn comes up tomorrow. So after having a full year to get this done, culled it all together in a day. Another example of how I work better under pressure I suppose.
Anyhow, will also get prints of some of them made so we can present them in the Visitor Center. That'll be my next part of the project. Hopefully sometime in the next couple of weeks so they'll be there for Spring and Summer park attendees. So with that, above is one of the photos, as is one here below (this one actually got mentioned on This Week In Photo podcast, which I was gloating about a few weeks back). And here's a full gallery: http://goo.gl/uE2wi
Ok then.
